Heart of the West [65]
trunks, and fat, bristly hands to encumber the way. The demon plant, appearing to live without soil or rain, seems to taunt the parched traveller with its lush grey greenness. It warps itself a thousand times about what look to be open and inviting paths, only to lure the rider into blind and impassable spine-defended "bottoms of the bag," leaving him to retreat, if he can, with the points of the compass whirling in his head.
To be lost in the pear is to die almost the death of the thief on the cross, pierced by nails and with grotesque shapes of all the fiends hovering about.
But it was not so with the Kid and his mount. Winding, twisting, circling, tracing the most fantastic and bewildering trail ever picked out, the good roan lessened the distance to the Lone Wolf Crossing with every coil and turn that he made.
While they fared the Kid sang. He knew but one tune and sang it, as he knew but one code and lived it, and but one girl and loved her. He was a single-minded man of conventional ideas. He had a voice like a coyote with bronchitis, but whenever he chose to sing his song he sang it. It was a conventional song of the camps and trail, running at its beginning as near as may be to these words:
Don't you monkey with my Lulu girl Or I'll tell you what I'll do--
and so on. The roan was inured to it, and did not mind.
But even the poorest singer will, after a certain time, gain his own consent to refrain from contributing to the world's noises. So the Kid, by the time he was within a mile or two of Tonia's /jacal/, had reluctantly allowed his song to die away--not because his vocal performance had become less charming to his own ears, but because his laryngeal muscles were aweary.
As though he were in a circus ring the speckled roan wheeled and danced through the labyrinth of pear until at length his rider knew by certain landmarks that the Lone Wolf Crossing was close at hand. Then, where the pear was thinner, he caught sight of the grass roof of the /jacal/ and the hackberry tree on the edge of the arroyo. A few yards farther the Kid stopped the roan and gazed intently through the prickly openings. Then he dismounted, dropped the roan's reins, and proceeded on foot, stooping and silent, like an Indian. The roan, knowing his part, stood still, making no sound.
The Kid crept noiselessly to the very edge of the pear thicket and reconnoitred between the leaves of a clump of cactus.
Ten yards from his hiding-place, in the shade of the /jacal/, sat his Tonia calmly plaiting a rawhide lariat. So far she might surely escape condemnation; women have been known, from time to time, to engage in more mischievous occupations. But if all must be told, there is to be added that her head reposed against the broad and comfortable chest of a tall red-and-yellow man, and that his arm was about her, guiding her nimble fingers that required so many lessons at the intricate six- strand plait.
Sandridge glanced quickly at the dark mass of pear when he heard a slight squeaking sound that was not altogether unfamiliar. A gun- scabbard will make that sound when one grasps the handle of a six- shooter suddenly. But the sound was not repeated; and Tonia's fingers needed close attention.
And then, in the shadow of death, they began to talk of their love; and in the still July afternoon every word they uttered reached the ears of the Kid.
"Remember, then," said Tonia, "you must not come again until I send for you. Soon he will be here. A /vaquero/ at the /tienda/ said to-day he saw him on the Guadalupe three days ago. When he is that near he always comes. If he comes and finds you here he will kill you. So, for my sake, you must come no more until I send you the word."
"All right," said the stranger. "And then what?"
"And then," said the girl, "you must bring your men here and kill him. If not, he will kill you."
"He ain't a man to surrender, that's sure," said Sandridge. "It's kill or be killed for the officer that goes up against Mr. Cisco Kid."
"He must die," said the girl. "Otherwise there will
To be lost in the pear is to die almost the death of the thief on the cross, pierced by nails and with grotesque shapes of all the fiends hovering about.
But it was not so with the Kid and his mount. Winding, twisting, circling, tracing the most fantastic and bewildering trail ever picked out, the good roan lessened the distance to the Lone Wolf Crossing with every coil and turn that he made.
While they fared the Kid sang. He knew but one tune and sang it, as he knew but one code and lived it, and but one girl and loved her. He was a single-minded man of conventional ideas. He had a voice like a coyote with bronchitis, but whenever he chose to sing his song he sang it. It was a conventional song of the camps and trail, running at its beginning as near as may be to these words:
Don't you monkey with my Lulu girl Or I'll tell you what I'll do--
and so on. The roan was inured to it, and did not mind.
But even the poorest singer will, after a certain time, gain his own consent to refrain from contributing to the world's noises. So the Kid, by the time he was within a mile or two of Tonia's /jacal/, had reluctantly allowed his song to die away--not because his vocal performance had become less charming to his own ears, but because his laryngeal muscles were aweary.
As though he were in a circus ring the speckled roan wheeled and danced through the labyrinth of pear until at length his rider knew by certain landmarks that the Lone Wolf Crossing was close at hand. Then, where the pear was thinner, he caught sight of the grass roof of the /jacal/ and the hackberry tree on the edge of the arroyo. A few yards farther the Kid stopped the roan and gazed intently through the prickly openings. Then he dismounted, dropped the roan's reins, and proceeded on foot, stooping and silent, like an Indian. The roan, knowing his part, stood still, making no sound.
The Kid crept noiselessly to the very edge of the pear thicket and reconnoitred between the leaves of a clump of cactus.
Ten yards from his hiding-place, in the shade of the /jacal/, sat his Tonia calmly plaiting a rawhide lariat. So far she might surely escape condemnation; women have been known, from time to time, to engage in more mischievous occupations. But if all must be told, there is to be added that her head reposed against the broad and comfortable chest of a tall red-and-yellow man, and that his arm was about her, guiding her nimble fingers that required so many lessons at the intricate six- strand plait.
Sandridge glanced quickly at the dark mass of pear when he heard a slight squeaking sound that was not altogether unfamiliar. A gun- scabbard will make that sound when one grasps the handle of a six- shooter suddenly. But the sound was not repeated; and Tonia's fingers needed close attention.
And then, in the shadow of death, they began to talk of their love; and in the still July afternoon every word they uttered reached the ears of the Kid.
"Remember, then," said Tonia, "you must not come again until I send for you. Soon he will be here. A /vaquero/ at the /tienda/ said to-day he saw him on the Guadalupe three days ago. When he is that near he always comes. If he comes and finds you here he will kill you. So, for my sake, you must come no more until I send you the word."
"All right," said the stranger. "And then what?"
"And then," said the girl, "you must bring your men here and kill him. If not, he will kill you."
"He ain't a man to surrender, that's sure," said Sandridge. "It's kill or be killed for the officer that goes up against Mr. Cisco Kid."
"He must die," said the girl. "Otherwise there will