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By Root 515 0

these vehicles being parked illegally. Or parked improperly. Or plain parked bad. And that was the extent of their resistance. Big Mal and Fat Lol, those bottle-ripped veterans of ruck and maul, dispensing the leather in cross alleys and on walkways, on dance-hall staircases, elbowing their way out of bowling alleys and snooker-hall toilets, crouching and panting by dully shining exit doors—they just rolled over. We didn’t want to know … Mal tried to wriggle in under the Lotus he was doing but they were on him like the SAS. The first blow he took from the pipe wrench knocked him spark-out. Soon afterwards he awoke and, leaning on an elbow in a pool of blood and oil watched Fat Lol being slowly hauled by the hair from car to car, with the ladies queuing and jockeying to give him another kick up the arse, as best they could, in their gowns. The ladies! The language! Then they were on Mal again, and he stopped another one from the pipe wrench. I’ve copped it in the back, sir. Nigger’s dead, sir … No rest for the wicked. And ain’t that the fucking truth. They hoisted Mal upright, giving his mouth a nice smack on the headlight frame, and had him slewing from bonnet to bonnet, prising at the windscreen stickers with his cold white fingers. This vehicle is illegally. For prompt assistance. All major … And after a last round of kicks and taunts their cars were chirruping and wincing and whirring into life; they were gone, leaving Fat Lol and Big Mal groping toward each other through the fumes and echoes and the heap of cheap clamps, gasping, dripping, jetsam of the machine age.

7. SAD SPRINTER

“Operagoers.”

Sheilagh said, “Operagoers?”

“Operagoers. Okay, it was a bit of a liberty, me and Fat Lol. You could argue we was out of order …”

“You sure it was operagoers?”

“Yeah. I thought it might have been a premiere crowd. Been to a Royal Premiere or something.” Mal and Linzi had recently attended a Royal Premiere, at considerable expense. And he thought it must have been decades since he had been with a rougher crew: fifteen hundred trogs in dinner jackets, plus their molls. “No, they left programs. The Coliseum. They ain’t nice, you know, She,” he cautioned her. Sheilagh had a weakness for films in which the aristocracy played cute. “The contempt. They were like vicious.”

“I’ve been to the Coliseum. They do it in English. It’s better because you can tell what’s going on.”

Mal nodded long-sufferingly.

“You can follow the story.”

He nodded a second time.

“You doing the dads’ race?”

“Well I got to now.”

“With your face in that state? You’re no good on your own, Mal. You’re no good on your own.”

Mal turned away. The shrubs, the falling leaves—the trees: what kind were they? Even in California … Even in California all he knew of nature was the mild reek of rest stops when he pulled over, in his chauffeur’s cap, for leaks between cities (a can made of nature and butts and book matches), or lagoon-style restaurants where mobsters ate lobsters; one year She came out with little Jet for a whole term (not a success) and Mal learned that American schools regarded tomato ketchup as a vegetable. And throughout his life there had been symbols, like fruit machines and hospital fruit salads and the plastic fruit on his mother’s hat, forty years ago, at his Sports Day. And his dad’s curt haircut and Sunday best. Say what you like about forty years ago. Say what you like about his parents, and everyone else’s, then, but the main thing about them was that they were married, and looked it, and dressed it, and meant it.

She said, “If you come back—don’t do it if you don’t mean it.”

“No way,” he said. “No way, no day. No shape, no form …”

With a nod she started off, and Mal followed. Mal followed, watching the rhythmic but asymmetrical rearrangements of her big womanly backside, where all her strength and virtue seemed to live, her character, her fathom. And he could see it all. Coming through the door for the bear hug with Jet, and then the hug of Momma Bear and Poppa Bear. The deep-breathing assessment of all he had left behind. And the