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Heavy Water_ And Other Stories - Martin Amis [48]

By Root 465 0
when he is incapable of vocalization: when, in short, he is getting the head. Even Rodney knew this moment of deafened concentration (it felt like Talent). And the sensitive sitter would come to note such moments, maintaining a pious hush until her next thrice-hourly intermission. Her breather, when it was okay for her to be alive again.

He thought he knew something about women and silence. But this? Rodney slipped from the bed and, in his blue robe, set about the preparation of English Breakfast Tea. He watched her through the gap between the two screens: the pillow clutched to her breast like a baby. And always she was following the argument inside her own head. The bruise on her shoulder, tinged with betel or cinnabar, looked artificially applied—caste mark, war paint. Rodney assessed it with a professional eye. It was no accident that he worked in oil. Oil was absolutely right. His brush, he realized, was not an artist’s wand so much as a cosmeticist’s tweezer. Oil, in his hands, was the elixir of youth. It would be different with her, he felt. Because everything else was different with her. But he would never dare broach it now.

For an instant she loomed over him and then moved past, to the shower. Rodney had never supposed that he was her single—or even her principal—erotic interest. How could he own her? He thought of a scene in a huge American novel he had read, years back, where a young man comes of age, pleasantly, in a Chicago bordello. And it went something like, He had used what others used. So what? That’s what cities are.

On the other hand he suddenly knew what he wanted to say to her. Three words: a verb flanked by two personal pronouns.


“Hey. Hey.”

No black shape—no roller or mugger, no prison-yard rapist, no Hutu warrior, no incensed Maroon on the blazing cane fields of Saint Domingue—could be as fearful to Rodney, now, as the man who occasionally guarded his building: namely Pharsin. Rodney’s weekends were entirely devoted to avoiding him: four of the last five had been spent in Quogue. He had even made a couple of phone calls about the possibility of moving. There was apparently a place in midtown, quite near Rock’s offices …

“Ah, Pharsin. There you are.”

Rodney turned, physically wincing, but only from the rain. He was afraid of Pharsin, and generally well attuned to threat. But his anguish here was almost wholly social.

“What’s the latest, Rod?”

“Yes it’s high time we, uh, ‘broke bread.’ I find myself leaning toward a Chambertin-Clos de Beze. And a swampy Camembert.”

“I keep hearing about these goddamn wines you got. But I’m thinking these are the exact same hoops we were going through before. What do I got to do, Rod? It’s not just me who’s hurting—it’s everyone around me. I never thought a man could do this to me. I never thought a man could reduce me to this.”

It was raining. Raining on the terrible city, with people suffering through it and giving voice to their pain, groaning, swearing, babbling. In New York, if you had no one to talk to or shout at, then there was always yourself: always yourself. As Rodney debarked his umbrella he noticed the way the raindrops fell from the lobes of Pharsin’s childishly small ears.

“Friday at five.”

“That’s in stone?”

“On my mother’s life. Hock and smoked salmon might be more the thing. Or some Gewurtztraumeiner. Or what about some Trockenbeerenauslese, with Turkish Delight?”

“Friday at five.”


“Busy week?” said Rock on Thursday evening.

They were drinking in a bar they usually went to only very late at night: Jimmy’s. Although he had been there perhaps a dozen times, it turned out that Rodney had no idea where it was. “Where is Jimmy’s?” he asked, as Rock guided him there. The place looked different, in the happy hour.

“Not really,” Rodney answered. “But you know how it is in New York. You’ve got nothing on and you think, I know: I’ll stay home and read a book. Then the next thing you know … there’s an opening or something. And then you’re bawling your head off across some restaurant.”

“Got anything on tonight? There’s a freebie at some punk

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