HECUBA [1]
why am I thus scared by fearful visions of the night? O earth, dread queen, mother of dreams that flit on sable wings! I am seeking to avert the vision of the night, the sight of horror which I saw so clearly in my dreams touching my son, who is safe in Thrace, and Polyxena my daughter dear. Ye gods of this land! preserve my son, the last and only anchor of my house, now settled in Thrace, the land of snow, safe in the keeping of his father's friend. Some fresh disaster is in store, a new strain of sorrow will be added to our woe. Such ceaseless thrills of terror never wrung my heart before. Oh! where, ye Trojan maidens, can I find inspired Helenus or Cassandra, that they may read me my dream? For I saw a dappled hind mangled by a wolf's bloody fangs, torn from my knees by force in piteous wise. And this too filled me with affright; o'er the summit of his tomb appeared Achilles' phantom, and for his guerdon he would have one of the luckless maids of Troy. Wherefore, I implore you, powers divine, avert this horror from my daughter, from my child.
(The CHORUS OF CAPTIVE TROJAN WOMEN enters.)
CHORUS (singing) Hecuba, I have hastened away to thee, leaving my master's tent, where the lot assigned me as his appointed slave, in the day that was driven from the city of Ilium, hunted by Achaeans thence at the point of the spear; no alleviation bring I for thy sufferings; nay have laden myself with heavy news, and am a herald of sorrow to thee, lady. 'Tis said the Achaeans have determined in full assembly to offer thy daughter in sacrifice to Achilles; for thou knowest how one day he appeared standing on his tomb in golden harness, and stayed the sea-borne barques, though they had their sails already hoisted, with this pealing cry, "Whither away so fast, ye Danai, leaving my tomb without its prize?" Thereon arose a violent dispute with stormy altercation, and opinion was divided in the warrior host of Hellas, some being in favour of offering the sacrifice at the tomb, others dissenting. There was Agamemnon, all eagerness in thy interest, because of his love for the frenzied prophetess; but the two sons of Theseus, scions of Athens, though supporting different proposals, yet agreed on the same decision, which was to crown Achilles' tomb with fresh-spilt blood; for they said they never would set Cassandra's love before Achilles' valour. Now the zeal of the rival disputants was almost equal, until that shifty, smooth-mouthed varlet, the son of Laertes, whose tongue is ever at the service of the mob, persuaded the army not to put aside the best of all the Danai for want of a bond-maid's sacrifice, nor have it said by any of the dead that stand beside Persephone, "The Danai have left the plains of Troy without one thought of gratitude for their brethren who died for Hellas." Odysseus will be here in an instant, to drag the tender maiden from thy breast and tear her from thy aged arms. To the temples, to the altars with thee! at Agamemnon's knees throw thyself as a suppliant! Invoke alike the gods in heaven and those beneath the earth. For either shall thy prayers avail to spare thee the loss of thy unhappy child, or thou must live to see thy daughter fall before the tomb, her crimson blood spurting in deep dark jets from her neck with gold encircled.
(THE following lines between HECUBA and POLYXENA are chanted responsively.)
HECUBA Woe, woe is me! What words, or cries, or lamentations can I utter? Ah me! for the sorrows of my closing years! for slavery too cruel to brook or bear! Woe, woe is me! What champion have I? Sons, and city-where are they? Aged Priam is no more; no more my children now. Which way am I to go, or this or that? Whither shall I turn my steps? Where is any god or power divine to succour me? Ah, Trojan maids! bringers of evil tidings! messengers of woe! ye have made an end, an utter end of me; life on earth has no more charm for me. Ah! luckless steps, lead on, guide your aged mistress to yon tent. (calling) My child, come forth; come forth, thou daughter
(The CHORUS OF CAPTIVE TROJAN WOMEN enters.)
CHORUS (singing) Hecuba, I have hastened away to thee, leaving my master's tent, where the lot assigned me as his appointed slave, in the day that was driven from the city of Ilium, hunted by Achaeans thence at the point of the spear; no alleviation bring I for thy sufferings; nay have laden myself with heavy news, and am a herald of sorrow to thee, lady. 'Tis said the Achaeans have determined in full assembly to offer thy daughter in sacrifice to Achilles; for thou knowest how one day he appeared standing on his tomb in golden harness, and stayed the sea-borne barques, though they had their sails already hoisted, with this pealing cry, "Whither away so fast, ye Danai, leaving my tomb without its prize?" Thereon arose a violent dispute with stormy altercation, and opinion was divided in the warrior host of Hellas, some being in favour of offering the sacrifice at the tomb, others dissenting. There was Agamemnon, all eagerness in thy interest, because of his love for the frenzied prophetess; but the two sons of Theseus, scions of Athens, though supporting different proposals, yet agreed on the same decision, which was to crown Achilles' tomb with fresh-spilt blood; for they said they never would set Cassandra's love before Achilles' valour. Now the zeal of the rival disputants was almost equal, until that shifty, smooth-mouthed varlet, the son of Laertes, whose tongue is ever at the service of the mob, persuaded the army not to put aside the best of all the Danai for want of a bond-maid's sacrifice, nor have it said by any of the dead that stand beside Persephone, "The Danai have left the plains of Troy without one thought of gratitude for their brethren who died for Hellas." Odysseus will be here in an instant, to drag the tender maiden from thy breast and tear her from thy aged arms. To the temples, to the altars with thee! at Agamemnon's knees throw thyself as a suppliant! Invoke alike the gods in heaven and those beneath the earth. For either shall thy prayers avail to spare thee the loss of thy unhappy child, or thou must live to see thy daughter fall before the tomb, her crimson blood spurting in deep dark jets from her neck with gold encircled.
(THE following lines between HECUBA and POLYXENA are chanted responsively.)
HECUBA Woe, woe is me! What words, or cries, or lamentations can I utter? Ah me! for the sorrows of my closing years! for slavery too cruel to brook or bear! Woe, woe is me! What champion have I? Sons, and city-where are they? Aged Priam is no more; no more my children now. Which way am I to go, or this or that? Whither shall I turn my steps? Where is any god or power divine to succour me? Ah, Trojan maids! bringers of evil tidings! messengers of woe! ye have made an end, an utter end of me; life on earth has no more charm for me. Ah! luckless steps, lead on, guide your aged mistress to yon tent. (calling) My child, come forth; come forth, thou daughter