Helliconia Summer - Brian W. Aldiss [611]
He stood there without movement, his gaze locked on the length of chain. Beside the horror of his deed, another horror was growing, the horror of imprisonment. By these ten-link chains, the Great Wheel was to be moved through space.
He had not yet taken his turn with the chains. He had no notion how long he had lain in a delirium, while words winged like birds through his head. He recalled only the shrill noise of trumpets from the monks somewhere above the Wheel, and then the lurching horizontal movements of the Wheel itself, which continued for half a day.
Contemplating the outer wall frightened Luterin. The time would come when he would feel differently. That wall was the only changing element of his environment. Its markings formed a map of the journey; by those excoriations, a practised prisoner could chart his way through time and granite.
The inner walls, the permanent walls of the cell, had been elaborately incised by previous occupants. Portraits of saints and drawings of genital organs testified to the mixed occupancy of the cell. Poems were engraved here, calendars, confessions, calculations, diagrams. Not an inch had been spared. The walls preserved fossils of spirits long dead. They were palimpsests of suffering and hope.
Revolutionary slogans could be read. One was cut on top of an earnest prayer to a god called Akha. Many of the earliest markings were obliterated by later ones, as one generation obliterates another. Some of the early inscriptions, though faint, were legible and delicately formed. Some were in ornate scripts which had disappeared from the world.
In one of the faintest, most elaborate scripts, Luterin read the basic details of the Wheel itself. These were figures which had a power over all who were incarcerated here.
The Wheel might more properly be described as a ring, revolving about a great central finger of granite.
The height of the Wheel was a uniform 6.6 metres, or twelve times 55, the northern latitude of the Wheel itself. Counting its base, its thickness was 13.19 metres, 1319 being the year of Freyr-set, or Myrkwyr, at latitude 55°N, dating the years from the nadir year of apastron. The diameter of the Wheel was 1825 metres, the number of small years in one Great Year. And 1825 was the number of cells set in the outer circumference of the Wheel.
Close to this numeration, and allowed to remain intact, was an intricately engraved figure. It represented the Wheel in its correct dimensions, set in the rock. Above it was the cavern, large enough to permit the monks from the monastery to walk on top of the Wheel and drop supplies to the prisoners below. Entry to the cavern could be gained only through Bambekk Monastery, which perched on the hillsides of Mount Kharnabhar, above the buried Wheel.
Whoever had incised the figure on the granite had evidently been well informed. The river that ran below the Wheel, assisting its revolutions, was also depicted. Other schematic lines carried a connection from the heart of the Wheel out to Freyr and Batalix and to the constellations of the ten houses of the zodiac – the Bat, Wutra’s Ox, the Boulder, the Night Wound, the Golden Ship, and the others.
‘Abro Hakmo Astab!’ Luterin exclaimed, uttering the forbidden oath for the first time. He hated these supposed connections. They lied. There were no connections. There was only himself, embedded in rock, no better than a gossie. He flung himself down on the bunk.
He used the oath again. As one of the damned, he was permitted it.
The dimmer the vision, the louder the noises. Luterin presumed that the other occupants of the Wheel slept when it was not moving. He lay awake, gazing vacantly about the dull box he inhabited.
His water supply ran down into a trough near the foot of his bunk. Its drips and splashes were close, and as regular as the tick of clocks.
Deeper in tone were the flows of water beneath the mobile floor. These were