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Heroes and Hero Worship [97]

By Root 3962 0
themselves as the tenderest noble affections. Wit; wild laughter, energy, directness, sincerity: these were in both. The types of the two men are not dissimilar. Burns too could have governed, debated in National Assemblies; politicized, as few could. Alas, the courage which had to exhibit itself in capture of smuggling schooners in the Solway Frith; in keeping _silence_ over so much, where no good speech, but only inarticulate rage was possible: this might have bellowed forth Ushers de Breze and the like; and made itself visible to all men, in managing of kingdoms, in ruling of great ever-memorable epochs! But they said to him reprovingly, his Official Superiors said, and wrote: "You are to work, not think." Of your _thinking-faculty_, the greatest in this land, we have no need; you are to gauge beer there; for that only are you wanted. Very notable;--and worth mentioning, though we know what is to be said and answered! As if Thought, Power of Thinking, were not, at all times, in all places and situations of the world, precisely the thing that was wanted. The fatal man, is he not always the unthinking man, the man who cannot think and _see_; but only grope, and hallucinate, and _mis_see the nature of the thing he works with? He mis-sees it, mis_takes_ it as we say; takes it for one thing, and it _is_ another thing,--and leaves him standing like a Futility there! He is the fatal man; unutterably fatal, put in the high places of men.--"Why complain of this?" say some: "Strength is mournfully denied its arena; that was true from of old." Doubtless; and the worse for the _arena_, answer I! _Complaining_ profits little; stating of the truth may profit. That a Europe, with its French Revolution just breaking out, finds no need of a Burns except for gauging beer,--is a thing I, for one, cannot _rejoice_ at!--

Once more we have to say here, that the chief quality of Burns is the _sincerity_ of him. So in his Poetry, so in his Life. The song he sings is not of fantasticalities; it is of a thing felt, really there; the prime merit of this, as of all in him, and of his Life generally, is truth. The Life of Burns is what we may call a great tragic sincerity. A sort of savage sincerity,--not cruel, far from that; but wild, wrestling naked with the truth of things. In that sense, there is something of the savage in all great men.

Hero-worship,--Odin, Burns? Well; these Men of Letters too were not without a kind of Hero-worship: but what a strange condition has that got into now! The waiters and ostlers of Scotch inns, prying about the door, eager to catch any word that fell from Burns, were doing unconscious reverence to the Heroic. Johnson had his Boswell for worshipper. Rousseau had worshippers enough; princes calling on him in his mean garret; the great, the beautiful doing reverence to the poor moon-struck man. For himself a most portentous contradiction; the two ends of his life not to be brought into harmony. He sits at the tables of grandees; and has to copy music for his own living. He cannot even get his music copied: "By dint of dining out," says he, "I run the risk of dying by starvation at home." For his worshippers too a most questionable thing! If doing Hero-worship well or badly be the test of vital well-being or ill-being to a generation, can we say that _these_ generations are very first-rate?--And yet our heroic Men of Letters do teach, govern, are kings, priests, or what you like to call them; intrinsically there is no preventing it by any means whatever. The world has to obey him who thinks and sees in the world. The world can alter the manner of that; can either have it as blessed continuous summer sunshine, or as unblessed black thunder and tornado,--with unspeakable difference of profit for the world! The manner of it is very alterable; the matter and fact of it is not alterable by any power under the sky. Light; or, failing that, lightning: the world can take its choice. Not whether we call an Odin god, prophet, priest, or what we call him; but whether we believe the
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