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Hetty_ The Genius and Madness of America's First Female Tycoon - Charles Slack [94]

By Root 848 0
Her reasons were more practical, and perhaps more touching. The little burial ground in Bellows Falls where her husband lay interred only Episcopalians—and that is where she preferred to be buried, next to Edward, when the time came.

FIFTEEN

I’LL OUTLIVE ALL OF THEM!

Among the many properties Hetty had acquired through foreclosure in New York, the old loft building at 74 Broad Street, just off Wall Street, was perhaps the most homely and unprepossessing. It stood empty of tenants, except for a lunchroom on the ground floor, which Hetty leased because the rent covered her taxes on the building. The building was old and cobwebbed, with shaky wooden stairways leading to floor upon floor of dustbound, grime-streaked gloom. The dirty windows, nailed shut to discourage intruders, allowed only miserly streaks of light that did little to illuminate the interior. And yet this old building was perhaps Hetty’s most valuable possession, for personal if not proprietary reasons. Tucked away on the sixth floor of 74 Broad Street was a trove of treasures so guarded that Hetty was willing to keep the entire building vacant for years so as to discourage the curious. She examined the contents of this repository several times a year, in the company of Walter Marshall, Ned’s private secretary.

There was something ceremonial about the process, with Marshall following Hetty through Wall Street and Curb Market staying twenty feet behind, on her instructions, so as to avoid attracting attention. Upon reaching 74 Broad Street, Marshall would light a borrowed lantern to guide their way up the dim staircase. On the sixth floor, Hetty pulled out the load of keys from her black reticule and stopped in front of a large room whose door was secured with a padlock. Before opening the lock, Hetty always knelt and ran her finger under the double door. She had secured a black thread running from a nail in the door to another nail in the floor.

“This is my safeguard—this black thread,” she told Marshall. “If anybody else ever goes in here, I’ll know it because the thread will be broken.” Satisfied that her treasures had not been tampered with, she unlocked the door.

“When we finally got into the room beyond that door, grotesque shadows arose above a great clutter of objects stored there,” Marshall later recalled. “A gray film of dust covered everything. I saw an ancient sleigh with a buffalo robe in it, office and household furniture in various stages of decreptitude, a dressmaker’s dummy, a grandfather’s clock with no hands, a tall beveled mirror with a crack across the top, several trunks and many heavy wooden boxes, a bunch of leather-bound account books, a lot of framed pictures, and a ship’s figurehead—a painted mermaid. When I brushed the dust off that with a piece of newspaper the colors appeared faded.”

This inner sanctum was even more airless than the close and airless building around it. Marshall felt faint. Hetty, dressed in layers of black garments, with rubbers on her feet, did not appear to notice the heat. She chewed a raw onion and advised Marshall to take small breaths if the heat disturbed him.

“This sleigh was my father’s,” Hetty said. “I used to ride with him behind a black horse that beat anything on hoofs in New Bedford. Black Hawk Robinson’s daughter was the envy of all the other girls in town.” Inside the sleigh was the buffalo robe under which she’d sat, snug on winter rides. On one visit, when she picked up a corner of the robe it began to deteriorate in her hand. Tears filled her eyes.

Other boxes opened other memories. There were dresses she had worn as a young woman, including the white gown with the pink sash that she had worn to dance with the Prince of Wales.

“She might have been a magician pulling surprises from a hat as she showed me various mementoes dating back across the long stretch of her life. There were silken shawls and wall-hangings which some sea captain had brought her from China; pieces of jewelry, some in fantastic design; specimens of fine old glassware, shoes and slippers, dance programs, opera

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