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Hide & Seek - James Patterson [100]

By Root 531 0
on.

That was the first, and most important rule of the game called Jack and Jill.

In many ways this was a textbook celebrity-stalker pattern. He knew it to be true as he took up his post across from No. 211 Q Street.

And yet, if anyone bothered to look more closely, it was like no other stalking pattern before it. What he was going to do now was more provocative than secretly observing Senator Fitzpatrick downing obscene numbers of Glenlivet cocktails at The Monocle, his favorite bar in Washington. This was the truest form of madness, Sam Harrison knew. It was pure madness. He didn’t believe be was mad. He believed only in the validity of the game of chance.

And then, less than thirty yards across the shiny-wet street—there was Daniel Fitzpatrick himself! Right on schedule. At least close enough.

He watched the senator stiffly climb out of a shiny, navy-blue Jaguar coupe, a ‘96 model. He wore a gray topcoat with a paisley silk scarf. A sleek, slender woman in a black dress was with him. A Burberrys raincoat was casually thrown over her arm. She was laughing at something Fitzpatrick had said. She threw her head back like a beautiful, spirited horse. A wisp of her warm breath met the cool of the night.

The woman was at least twenty years the senator’s junior. She wasn’t his wife, Sam knew. Dannyboy Fitzpatrick rarely if ever slept with his wives. The blond woman walked with a slight limp, which made the two of them even more intriguing. Memorable, actually.

Sam Harrison concentrated fiercely. Measure twice, measure five times if necessary. He took stock of all the details one final time. He had arrived in Georgetown at eleven-fifteen. He looked as if he belonged in the chic, attractive, fashionable neighborhood around Q Street. He looked exactly right for the part he was going to play.


A very big part in a very big story, one of the biggest in America’s history. Or American theater, if you preferred.

A leading-man role, to be sure.

He wore professorial, tortoiseshell glasses for the part. He never wore glasses. Didn’t need them.

His hair was light blond. His hair wasn’t really blond.

He called himself Sam Harrison. His name wasn’t really Sam, or Harrison.

For tonight’s special occasion, he’d carefully selected a soft black cashmere turtleneck, charcoal-gray trousers, which were pleated and cuffed, and light brown walking boots. He wasn’t really such a dapper, self-absorbed dresser. His thick hair was cut short, vaguely reminiscent of the actor Kevin Costner in The Bodyguard, one of his least-favorite movies. He carried a small black duffel bag, swinging it like a baton as he now walked briskly toward No. 211. A camcorder was tucked inside the bag.

He planned to capture as much of this as possible on tape. This was history in the making. It really was history: America at the end of its century, America at the end of an era, America at the end.

At quarter to twelve, he entered No. 211 through a darkened service entryway that smelled strongly of ammonia and of dust and decay. He walked up to the fourth floor, where the senator had his flat, his study, his love nest in the capital.

He reached Daniel Fitzpatrick’s door, 4J, at ten minutes to twelve. He was still pretty much on time. So far, so good. Everything was going exactly as planned.

The highly polished, mahogany wood door opened right in his face!

He stared at an ash-blond woman who was slender and trim and well kept. She was actually somewhat plainer looking than she had appeared from a distance. It was the same woman who had gotten out of the blue Jag with Fitzpatrick. The woman with the limp.

Except for a gold barrette in her hair, a lioness from a trip to the Museum of Modern Art in New York, and a gold choker, she was gloriously naked.

“Jack,” she whispered.

“Jill,” he said, and smiled.

II

In a different part of Washington, in a different world, another would-be killer was playing an equally terrifying game. He had found an absolutely terrific hiding place among the thick pines and a few towering, elderly oaks at the center of Garfield

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