His Family - Ernest Poole [124]
This bothered him at the office, in the work he still had to do. For some months he had been considering an offer from one of his rivals, a modern concern which wished to buy out his business together with that of three other firms and consolidate them all into one corporation. And Roger was selling, and it was hard; for the whole idea of bargaining was more distasteful than ever now. He had to keep reminding himself of Edith and her children.
At last it was over, his books were closed, and there was nothing left to be done. Nor did he care to linger. These rooms had meant but little to him; they had been but a place of transition from the old office far downtown, so full of memories of his youth, to the big corporation looming ahead, the huge impersonal clipping mill into which his business was to merge. And it came to his mind that New York was like that--no settled calm abiding place cherishing its memories, but only a town of transition, a great turbulent city of change, restlessly shaking off its past, tearing down and building anew, building higher, higher, higher, rearing to the very stars, and shouting, "Can you see me now?" What was the goal of this mad career? What dazzling city would be here? For a time he stared out of his window as into a promised land. Slowly at last he rose from his desk. Clippings, clippings, clippings. He looked at those long rows of girls gleaning in items large and small the public reputations of all kinds of men and women, new kinds in a new nation seething with activities, sweeping on like some wide river swollen at flood season to a new America, a world which Roger would not know. And yet it would be his world still, for in it he would play a part.
"In their lives, too, we shall be there--the dim strong figures of the past."
From his desk he gathered a few belongings. Then he looked into John's small room, with the big gold motto over the desk: "This is no place for your troubles or mine." On the desk lay that small album, John's parting gift to Deborah's boy. Roger picked it up and walked out of the office. He had never liked good-byes.
In the elevator he noticed that his shoes needed shining, and when he reached the street below he stopped at the stand on the corner. The stocky Greek with bushy black hair, who had run the stand for many years, gave him a cheery greeting; for Roger had stopped there frequently--not that he cared about his shoes, but he had always liked to watch the crowds of people passing.
"No hurry, boss?"
"None," said Roger.
"Then I give a fine shine! Polish, too?"
"Yes, polish, too." And Roger settled back to watch.
"And put in new shoe strings," he added, with a whimsical smile.
Men and women, girls and boys by thousands passed him, pushing, hurrying, shuffling by. Girls tittering and nudging and darting quick side glances. Bobbing heads and figures, vigorous steps and dancing eyes. Life bubbling over everywhere, in laughter, in sharp angry tones, in glad expectant chatter. Deborah's big family. Across the street was a movie between two lurid posters, and there was a dance hall overhead. The windows were all open, and faintly above the roar of the street he could hear the piano, drum, fiddle and horn. The thoroughfare each moment grew more tumultuous to his ears, with trolley cars and taxis, motor busses, trucks and drays. A small red motor dashed uptown with piles of evening papers; a great black motor hearse rushed by. In a taxi which had stopped in a jam, a man was kissing a girl in his arms, and both of them were laughing. The smart little toque of blue satin she wore was crushed to one side. How red were her