History of Friedrich II of Prussia V 10 [3]
is no object), one commands the Lake, with its little tufted Islands, "Remus Island" much famed among them, and "high beech-woods" on the farther side. The Lake is very pretty, all say; lying between you and the sunset;--with perhaps some other lakelet, or solitary pool in the wilderness, many miles away, "revealing itself as a cup of molten gold," at that interesting moment. What the Book-Collection was, in the interior, I know not except by mere guess.
The Crown-Princess's Apartment, too, which remained unaltered at the last accounts had of it, [From Hennert, namely, in 1778.] is very fine;--take the anteroom for specimen: "This fine room," some twenty feet height of ceiling, "has six windows; three of them, in the main front, looking towards the Town, the other three, towards the Interior Court. The light from these windows is heightened by mirrors covering all the piers (SCHAFTE, interspaces of the walls), to an uncommonly splendid pitch; and shows the painting of the ceiling, which again is by the famous Pesne, to much perfection. The Artist himself, too, has managed to lay on his colors there so softly, and with such delicate skill, that the light-beams seem to prolong themselves in the painted clouds and air, as if it were the real sky you had overhead." There in that cloud-region "Mars is being disarmed by the Love-goddesses, and they are sporting with his weapons. He stretches out his arm towards the Goddess, who looks upon him with fond glances. Cupids are spreading out a draping." That is Pesne's luxurious performance in the ceiling.--"Weapon-festoons, in basso-relievo, gilt, adorn the walls of this room; and two Pictures, also by Pesne, which represent, in life size, the late King and Queen [our good friends Friedrich Wilhelm and his Sophie], are worthy of attention. Over each of the doors, you find in low-relief the Profiles of Hannibal, Pompey, Scipio, Caesar, introduced as Medallions."
All this is very fine; but all this is little to another ceiling, in some big Saloon elsewhere, Music-saloon, I think: Black Night, making off, with all her sickly dews, at one end of the ceiling; and at the other end, the Steeds of Phoebus bursting forth, and the glittering shafts of Day,--with Cupids, Love-goddesses, War- gods, not omitting Bacchus and his vines, all getting beautifully awake in consequence. A very fine room indeed;--used as a Music- saloon, or I know not what,--and the ceiling of it almost an ideal, say the connoisseurs.
Endless gardens, pavilions, grottos, hermitages, orangeries, artificial ruins, parks and pleasances surround this favored spot and its Schloss; nothing wanting in it that a Prince's establishment needs,--except indeed it be hounds, for which this Prince never had the least demand.
Except the old Ruppin duties, which imply continual journeyings thither, distance only a morning's ride; except these, and occasional commissions from Papa, Friedrich is left master of his time and pursuits in this new Mansion. There are visits to Potsdam, periodical appearances at Berlin; some Correspondence to keep the Tobacco-Parliament in tune. But Friedrich's taste is for the Literatures, Philosophies: a--young Prince bent seriously to cultivate his mind; to attain some clear knowledge of this world, so all-important to him. And he does seriously read, study and reflect a good deal; his main recreations, seemingly, are Music, and the converse of well-informed, friendly men. In Music we find him particularly rich. Daily, at a fixed hour of the afternoon, there is concert held; the reader has seen in what kind of room: and if the Artists entertained here for that function were enumerated (high names, not yet forgotten in the Musical world), it would still more astonish readers. I count them to the number of twenty or nineteen; and mention only that "the two Brothers Graun" and "the two Brothers Benda" were of the lot; suppressing four other Fiddlers of eminence, and "a Pianist who is known to everybody." [Hennert, p. 21.] The Prince has a fine sensibility to Music: does himself, with thrilling adagios
The Crown-Princess's Apartment, too, which remained unaltered at the last accounts had of it, [From Hennert, namely, in 1778.] is very fine;--take the anteroom for specimen: "This fine room," some twenty feet height of ceiling, "has six windows; three of them, in the main front, looking towards the Town, the other three, towards the Interior Court. The light from these windows is heightened by mirrors covering all the piers (SCHAFTE, interspaces of the walls), to an uncommonly splendid pitch; and shows the painting of the ceiling, which again is by the famous Pesne, to much perfection. The Artist himself, too, has managed to lay on his colors there so softly, and with such delicate skill, that the light-beams seem to prolong themselves in the painted clouds and air, as if it were the real sky you had overhead." There in that cloud-region "Mars is being disarmed by the Love-goddesses, and they are sporting with his weapons. He stretches out his arm towards the Goddess, who looks upon him with fond glances. Cupids are spreading out a draping." That is Pesne's luxurious performance in the ceiling.--"Weapon-festoons, in basso-relievo, gilt, adorn the walls of this room; and two Pictures, also by Pesne, which represent, in life size, the late King and Queen [our good friends Friedrich Wilhelm and his Sophie], are worthy of attention. Over each of the doors, you find in low-relief the Profiles of Hannibal, Pompey, Scipio, Caesar, introduced as Medallions."
All this is very fine; but all this is little to another ceiling, in some big Saloon elsewhere, Music-saloon, I think: Black Night, making off, with all her sickly dews, at one end of the ceiling; and at the other end, the Steeds of Phoebus bursting forth, and the glittering shafts of Day,--with Cupids, Love-goddesses, War- gods, not omitting Bacchus and his vines, all getting beautifully awake in consequence. A very fine room indeed;--used as a Music- saloon, or I know not what,--and the ceiling of it almost an ideal, say the connoisseurs.
Endless gardens, pavilions, grottos, hermitages, orangeries, artificial ruins, parks and pleasances surround this favored spot and its Schloss; nothing wanting in it that a Prince's establishment needs,--except indeed it be hounds, for which this Prince never had the least demand.
Except the old Ruppin duties, which imply continual journeyings thither, distance only a morning's ride; except these, and occasional commissions from Papa, Friedrich is left master of his time and pursuits in this new Mansion. There are visits to Potsdam, periodical appearances at Berlin; some Correspondence to keep the Tobacco-Parliament in tune. But Friedrich's taste is for the Literatures, Philosophies: a--young Prince bent seriously to cultivate his mind; to attain some clear knowledge of this world, so all-important to him. And he does seriously read, study and reflect a good deal; his main recreations, seemingly, are Music, and the converse of well-informed, friendly men. In Music we find him particularly rich. Daily, at a fixed hour of the afternoon, there is concert held; the reader has seen in what kind of room: and if the Artists entertained here for that function were enumerated (high names, not yet forgotten in the Musical world), it would still more astonish readers. I count them to the number of twenty or nineteen; and mention only that "the two Brothers Graun" and "the two Brothers Benda" were of the lot; suppressing four other Fiddlers of eminence, and "a Pianist who is known to everybody." [Hennert, p. 21.] The Prince has a fine sensibility to Music: does himself, with thrilling adagios