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History of Friedrich II of Prussia V 14 [4]

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Table: the one is a perpetual Gospel of Cosmos and Heaven to every unit of the Population; the other a Gospel of Chaos and Beelzebub to every unit of them: there is no multiple to be found in Arithmetic which will express that!--Certain of these advantages, in the new Government, are seen at once; others, the still more valuable, do not appear, except gradually and after many days and years. With the one and the other, Schlesien appears to have been tolerably content. From that Year 1742 to this, Schlesien has expressed by word and symptom nothing but thankfulness for the Transfer it underwent; and there is, for the last Hundred Years, no part of the Prussian Dominion more loyal to the Hohenzollerns (who are the Authors of Prussia, without whom Prussia had never been), than this their latest acquisition, when once it too got moulded into their own image. [Preuss, i. 193, and ib. 200 (Note from Klein, a Silesian Jurist): "Favor not merit formerly;" "Magistracies a regular branch of TRADE;"--"highway robbers on a strangely familiar footing with the old Breslau magistrates;" &c. &c.]


OPENING OF THE OPERA-HOUSE AT BERLIN.

... December 7th, this Winter, Carnival being come or just coming, Friedrich opens his New Opera-House, for behoof of the cultivated Berlin classes; a fine Edifice, which had been diligently built by Knobelsdorf, while those Silesian battlings went on. "One of the largest and finest Opera-houses in the whole world; like a sumptuous Palace rather. Stands free on all sides, space for 1,000 Coaches round it; Five great Entrances, five persons can walk abreast through each; and inside--you should see, you should hear! Boxes more like rooms or boudoirs, free view and perfect hearing of the stage from every point: air pure and free everywhere; water aloft, not only for theatrical cascades, but to drown out any fire or risk of fire." [Seyfarth, i. 234; Nicolai, Beschreibung von Berlin, i. 169.] This is Seyfarth's account, still capable of confirmation by travelling readers of a musical turn. I have seen Operas with much more brilliancy of gas and gilding; but none nearly so convenient to the human mind and sense; or where the audience (not now a gratis one) attended to the music in so meritorious a way.

"Perhaps it will attract moneyed strangers to frequent our Capital?"--some guess, that was Friedrich's thought. "At all events, it is a handsome piece of equipage, for a musical King and People; not to be neglected in the circumstances. Thalia, in general,--let us not neglect Thalia, in such a dearth of worshipable objects." Nor did he neglect Thalia. The trouble Friedrich took with his Opera, with his Dancing-Apparatus, French Comedy, and the rest of that affair, was very great. Much greater, surely, than this Editor would have thought of taking; though, on reflection, he does not presume to blame. The world is dreadfully scant of worshipable objects: and if your Theatre is your own, to sweep away intrusive nonsense continually from the gates of it? Friedrich's Opera costs him heavy sums (surely I once knew approximately what, but the sibylline leaf is gone again upon the winds!)--and he admits gratis a select public, and that only. [Preuss, i. 277; and Preuss, Buch fur Jedermann, i. 100.] "This Winter, 1742-43, was unusually magnificent at Court: balls, WIRTHSCHAFTEN [kind of MIMIC FAIRS], sledge-parties, masquerades, and theatricals of all sorts;--and once even, December 2d, the new Golden Table-Service [cost of it 200,000 pounds] was in action, when the two Queens [Queen Regnant and Queen Mother] dined with his Majesty."


FRIEDRICH TAKES THE WATERS AT AACHEN, WHERE VOLTAIRE COMES TO SEE HIM.

Months before that of the Opera-House or those Silesian settlements, Friedrich, in the end of August, what is the first thing visible in his Domestic History, makes a visit, for health's sake, to Aachen (Aix-la-Chapelle so called), with a view to the waters there. Intends to try for a little improvement in health, as the basis of ulterior things. Health has naturally
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