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By Root 2051 0

of black velvet, with a white plume to it; her hair floating, and tied with a rose-colored ribbon. She was beautiful as Love: but this dress, so elegant, and so well setting off her charms, only the more sensibly awakened our regrets to lose her; and announced that the hour was come, in which all this appeared among us for the last time. At the second act, young Prince Ferdinand [Youngest Brother, Father of the JENA Ferdinand] entered the Royal Box; and flinging himself on the Princess's neck with a burst of tears, said, 'Ah, my dear Ulrique, it is over, then; and I shall never see you more!' These words were a signal given to the grief which was shut in all hearts, to burst forth with the greatest vehemence. The Princess replied only with sobs; holding her Brother in her arms. The Two Queens could not restrain their tears; the Princes and Princesses followed the example: grief is epidemical; it gained directly all the Boxes of the first rank, where the Court and Nobility were. Each had his own causes of regret, and each melted into tears. Nobody paid the least attention farther to the Opera; and for my own share, I was glad to see it end.

"An involuntary movement took me towards the Palace. I entered the King's Apartments, and found the Royal Family and part of the Court assembled. Grief had reached its height; everybody had his handkerchief out; and I witnessed emotions quite otherwise affecting than those that Theatric Art can produce. The King had composed an Ode on the Princess's departure; bidding her his last adieus in the most tender and touching manner. It begins with these words:-- 'Partez, ma Soeur, partez; La Suede vous attend, la Suede vous desire,' 'Go, my Sister, go; Sweden waits you, Sweden wishes you. [Does not now exist (see OEuvres de Frederic, xiv. 88, and ib. PREFACE p. xv).]

His Majesty gave it her at the moment when she was about to take leave of the Two Queens. [No, Monsieur, not then; it came to her hand the second evening hence, at Schwedt; [Her own Letter to Friedrich ( OEuvres de Frederic, xxvii. 372; "Schwedt, 28th July, 1744").] most likely not yet written at the time you fabulously give;--you foolish fantast, and "artist" of the SHAM-kind!]--The Princess threw her eyes on it, and fell into a faint [No, you Sham, not for IT]: the King had almost done the like. His tears flowed abundantly. The Princes and Princesses were overcome with sorrow. At last, Gotter judged it time to put an end to this tragic scene. He entered the Hall, almost like Boreas in the Ballet of THE ROSE; that is to say, with a crash. He made one or two whirlwinds; clove the press, and snatched away the Princess from the arms of the Queen-Mother, took her in his own, and whisked her out of the Hall. All the world followed; the carriages were waiting in the court; and the Princess in a moment found herself in hers. I was in such a state, I know not how we got down stairs; I remember only that it was in a concert of lamentable sobbings. Madam the Margrafin von Schwedt, who had been named to attend the Princess to Stralsund [read Schwedt] on the Swedish frontier, this high Lady and the two Dames d'Atours who were for Sweden itself, having sprung into the same carriage, the door of it was shut with a slam; the postillions cracked, the carriage shot away,--and hid the adorable Ulrique from the eyes of King and Court, who remained motionless for some minutes, overcome by their feelings." [Bielfeld, ii. 107-110.]

We said this Marriage was like the other, important for Public Affairs. In fact, security on the Russian and Swedish side is always an object with Friedrich when undertaking war. "That the French bring about, help me to bring about, a Triple Alliance of Prussia, Russia, Sweden:" this was a thing Friedrich had bargained to see done, before joining in the War ahead: but by these Two Espousals Friedrich hopes he has himself as good as done it. Of poor Princess Ulrique and her glorious reception in Sweden (after near miss of shipwreck, in the Swedish