History of Western Philosophy - Bertrand Russell [384]
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Part II
From Rousseau to the Present Day
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18
THE ROMANTIC MOVEMENT
From the latter part of the eighteenth century to the present day, art and literature and philosophy, and even politics, have been influenced, positively or negatively, by a way of feeling which was characteristic of what, in a large sense, may be called the romantic movement. Even those who were repelled by this way of feeling were compelled to take account of it, and in many cases were more affected by it than they knew. I propose in this chapter to give a brief description of the romantic outlook, chiefly in matters not definitely philosophical; for this is the cultural background of most philosophic thought in the period with which we are now to be concerned.
The romantic movement was not, in its beginnings, connected with philosophy, though it came before long to have connections with it. With politics, through Rousseau, it was connected from the first. But before we can understand its political and philosophical effects we must consider it in its most essential form, which is as a revolt against received ethical and aesthetic standards.
The first great figure in the movement is Rousseau, but to some extent he only expressed already existing tendencies. Cultivated people in eighteenth-century France greatly admired what they called la sensibilité, which meant a proneness to emotion, and more particularly to the emotion of sympathy. To be thoroughly satisfactory, the emotion must be direct and violent and quite uninformed by thought. The man of sensibility would be moved to tears by the sight of a single destitute peasant family, but would be cold to well-thought-out schemes for ameliorating the lot of peasants as a class. The poor were supposed to possess more virtue than the rich; the sage was thought of as a man who retires from the corruption of courts to enjoy the peaceful pleasures of an unambitious rural existence. As a passing mood, this attitude is to be found in poets of almost all periods. The exiled Duke in As You Like It expresses it, though he goes back to his dukedom as soon as he can; only the melancholy Jaques sincerely prefers the life of the forest. Even Pope, the perfect exemplar of all that the romantic movement rebelled against, says:
Happy