• Choose a category
• All
• Classic-Fiction

By Root 3347 0

calls the 'noble' man, by no means as a universal type, but as a governing aristocrat. The 'noble' man will be capable of cruelty, and, on occasion, of what is vulgarly regarded as crime; he will recognize duties only to equals. He will protect artists and poets and all who happen to be masters of some skill, but he will do so as himself a member of a higher order than those who only know how to do something. From the example of warriors he will learn to associate death with the interests for which he is fighting; to sacrifice numbers, and take his cause sufficiently seriously not to spare men; to practise inexorable discipline; and to allow himself violence and cunning in war. He will recognize the part played by cruelty in aristocratic excellence: 'almost everything that we call "higher culture" is based upon the spiritualizing and intensifying of cruelty'. The 'noble' man is essentially the incarnate will to power.

What are we to think of Nietzsche's doctrines? How far are they true? Are they in any degree useful? Is there in them anything objective, or are they the mere power-phantasies of an invalid?

It is undeniable that Nietzsche has had a great influence, not among technical philosophers, but among people of literary and artistic culture. It must also be conceded that his prophecies as to the future have, so far, proved more nearly right than those of liberals or Socialists. If he is a mere symptom of disease, the disease must be very widespread in the modern world.

Nevertheless there is a great deal in him that must be dismissed as merely megalomaniac. Speaking of Spinoza he says: 'How much of personal timidity and vulnerability does this masquerade of a sickly recluse betray!' Exactly the same may be said of him, with the less reluctance since he has not hesitated to say it of Spinoza. It is obvious that in his day-dreams he is a warrior, not a professor; all the men he admires were military. His opinion of women, like every man's, is an objectification of his own emotion towards them, which is obviously one of fear. 'Forget not thy whip'—but nine women out of ten would get the whip away from him, and he knew it, so he kept away from women, and soothed his wounded vanity with unkind remarks.

He condemns Christian love because he thinks it is an outcome of fear: I am afraid my neighbour may injure me, and so I assure him that I love him. If I were stronger and bolder, I should openly display the contempt for him which of course I feel. It does not occur to Nietzsche as possible that a man should genuinely feel universal love, obviously because he himself feels almost universal hatred and fear, which he would fain disguise as lordly indifference. His 'noble' man—who is himself in day-dreams—is a being wholly devoid of sympathy, ruthless, cunning, cruel, concerned only with his own power. King Lear, on the verge of madness, says:

I will do such things—

What they are yet I know not—but they shall be

The terror of the earth.

This is Nietzsche's philosophy in a nutshell.

It never occurred to Nietzsche that the lust for power, with which he endows his superman, is itself an outcome of fear. Those who do not fear their neighbours see no necessity to tyrannize over them. Men who have conquered fear have not the frantic quality of Nietzsche's 'artist-tyrant' Neros, who try to enjoy music and massacre while their hearts are filled with dread of the inevitable palace revolution. I will not deny that, partly as a result of his teaching, the real world has become very like his nightmare, but that does not make it any the less horrible.

It must be admitted that there is a certain type of Christian ethic to which Nietzsche's strictures can be justly applied. Pascal and Dostoevsky—his own illustrations—have both something abject in their virtue. Pascal sacrificed his magnificent mathematical intellect to his God, thereby attributing to Him a barbarity which was a cosmic enlargement of Pascal's morbid mental tortures. Dostoevsky would have nothing to do with 'proper pride'; he would sin in order to repent and to enjoy