Holy Fire - Bruce Sterling [86]
“The finest extracts from the dumps,” Paul said, “iron, aluminum, copper, and such—their market value crashed once modern materials came into production. Cheap diamond of course, cheap diamond beats anything. But sugarglass, optical plastics, fullerenes, and aerogels”—he gestured at the cityscape around them. A small deft man with a proprietarial interest in structures four hundred stories tall. “The carbon-based products drove construction metals off the market. People in Stuttgart are progressives, they despise the shibboleths.”
“This place is a lot like Indianapolis.”
“Not at all! Nothing like it!” Paul protested. “Indianapolis was a political act, a freak by revanchist Asians. Stuttgart is serious! Stuttgart is meaningful! It is the only truly modern city in Europe! The only city whose builders truly believed in a future—rather than some endless recycling of the past.”
“I’m not sure I’d be real happy if the future looked like this.”
“It won’t. Any more than the world came to look like New York City a century ago. It was enough that for a certain period of time the world wanted to look like New York City. Stuttgart is that kind of urban cynosure. It’s the only city in the world where modern society was allowed to speak with an authentic architectural voice.”
“You use the past tense, I see.”
“There won’t be many other Stuttgarts. Gerontocratic society lacks the will and energy to innovate on the grand scale. Unless, as with Stuttgart, some large city is leveled by a cataclysm and the survivors have no choice.” Paul shrugged. “Not a pleasant prospect! There may be some fanatics who consider holocaust an acceptable price for change, but I’ve studied holocaust, and holocaust is vile. The change we face has its own inexorability. There’s much to be said for survival. Live long enough, and reality will melt beneath your feet.” He paused, considering. “I’m very fond of Praha. That city surely has lessons for the world as profound as Stuttgart’s. Praha outlasted its own epoch and became a beautiful freak, a charming atavism. Praha found a second chance. Now Praha is the chrysalis for a larval form of posthumanity.”
They walked on. The skies of Stuttgart were full of aerial transports that uncoiled like butterfly tongues, adhered to a distant tower, and then rolled up neatly to the other side. These reeling walkways carried sliding capsules within their flaccid bulk. They were grotesquely efficient, like ductile pedestrian boas.
Paul led her down a long flight of stairs and beneath a solemn stone arch with a series of thick beaded curtains. The sky vanished. The air warmed. They emerged under a coarse mossy roof with humps like fabric but the apparent rigidity of concrete. The walls grew spongy and disturbed, under long brilliantly glowing strands of sun-bright optical fiber. It was hot and damp, a stony greenhouse. The air reeked of vanilla and bananas. “This is my favorite quarter of town,” said Paul. “I lived here for years before I took my teaching post. This quarter was planned and built by theorists of the edible cityscape.”
“Theorists of the what?”
“The walls here are gasketfungus. You can eat the city raw. The walls are quite nutritious.” It didn’t seem a particularly good idea to eat the fungal walls. The locals had been carving graffiti into them with some kind of herbicide. Patchy letters of wilted yellow. BENEATH THE BEACH—THE PAVEMENT. Curls of Arabic. A Kilroy face with a mess of loopy curls.
They walked beside a brilliantly lit multistory building. The open floors were marked in numbered slots. People were lying in cavities in these numbered areas, under searing artificial sunlight. The people wore spex and were covered from head to foot in big gray-green wads of dense organic fiber.