House of Mirth (Barnes & Noble Classics - Edith Wharton [106]
Gerty stood cold and passive. She knew the hour of her probation had come, and her poor heart beat wildly against its destiny. As a dark river sweeps by under a lightning flash, she saw her chance of happiness surge past under a flash of temptation. What prevented her from saying: “He is like other men”? She was not so sure of him, after all! But to do so would have been like blaspheming her love. She could not put him before herself in any light but the noblest: she must trust him to the height of her own passion.
“Yes: I know him; he will help you,” she said; and in a moment Lily’s passion was weeping itself out against her breast.
There was but one bed in the little flat, and the two girls lay down on it side by side when Gerty had unlaced Lily’s dress and persuaded her to put her lips to the warm tea. The light extinguished, they lay still in the darkness, Gerty shrinking to the outer edge of the narrow couch to avoid contact with her bed-fellow. Knowing that Lily disliked to be caressed, she had long ago learned to check her demonstrative impulses toward her friend. But tonight every fibre in her body shrank from Lily’s nearness: it was torture to listen to her breathing, and feel the sheet stir with it. As Lily turned, and settled to completer rest, a strand of her hair swept Gerty’s cheek with its fragrance. Everything about her was warm and soft and scented: even the stains of her grief became her as rain-drops do the beaten rose. But as Gerty lay with arms drawn down her side, in the motionless narrowness of an effigy, she felt a stir of sobs from the breathing warmth beside her, and Lily flung out her hand, groped for her friend’s, and held it fast.
“Hold me, Gerty, hold me, or I shall think of things,” she moaned; and Gerty silently slipped an arm under her, pillowing her head in its hollow as a mother makes a nest for a tossing child. In the warm hollow Lily lay still and her breathing grew low and regular. Her hand still clung to Gerty’s as if to ward off evil dreams, but the hold of her fingers relaxed, her head sank deeper into its shelter, and Gerty felt that she slept.
15
WHEN LILY WOKE SHE had the bed to herself, and the winter light was in the room.
She sat up, bewildered by the strangeness of her surroundings; then memory returned, and she looked about her with a shiver. In the cold slant of light reflected from the back wall of a neighbouring building, she saw her evening dress and opera cloak lying in a tawdry heap on a chair. Finery laid off is as unappetizing as the remains of a feast, and it occurred to Lily that, at home, her maid’s vigilance had always spared her the sight of such incongruities. Her body ached with fatigue, and with the constriction of her attitude in Gerty’s bed. All through her troubled sleep she had been conscious of having no space to toss in, and the long effort to remain motionless made her feel as if she had spent her night in a train.
This sense of physical discomfort was the first to assert itself; then she perceived, beneath it, a corresponding mental prostration, a languor of horror more insufferable than the first rush of her disgust. The thought of having to wake every morning with this weight on her breast roused her tired mind to fresh effort. She must find some way out of the slough into which she had stumbled: it was not so much compunction as the dread of her morning thoughts that pressed on her the need of action. But she was unutterably tired; it was weariness to think connectedly. She lay back, looking about the poor slit of a room with a renewal of physical distaste. The outer air, penned between high buildings, brought no freshness through the window; steam-heat was beginning to sing in a coil of dingy pipes, and a smell of cooking penetrated the crack of the door.
The door opened, and Gerty, dressed and hatted, entered with a cup of tea. Her face looked sallow and swollen in