House of Mirth (Barnes & Noble Classics - Edith Wharton [143]
Gerty shook her head, mutely unconvinced. She felt not only that Lily was cheapening herself by making use of an intimacy she would never have cultivated from choice, but that, in drifting back now to her former manner of life, she was forfeiting her last chance of ever escaping from it. Gerty had but an obscure conception of what Lily’s actual experience had been: but its consequences had established a lasting hold on her pity since the memorable night when she had offered up her own secret hope to her friend’s extremity. To characters like Gerty’s such a sacrifice constitutes a moral claim on the part of the person in whose behalf it has been made. Having once helped Lily, she must continue to help her; and helping her, must believe in her, because faith is the main-spring of such natures. But even if Miss Bart, after her renewed taste of the amenities of life, could have returned to the barrenness of a New York August, mitigated only by poor Gerty’s presence, her worldly wisdom would have counselled her against such an act of abnegation. She knew that Carry Fisher was right: that an opportune absence might be the first step toward rehabilitation, and that, at any rate, to linger on in town out of season was a fatal admission of defeat.
From the Gormers’ tumultuous progress across their native continent, she returned with an altered view of her situation. The renewed habit of luxury—the daily waking to an assured absence of care and presence of material ease—gradually blunted her appreciation of these values, and left her more conscious of the void they could not fill. Mattie Gormer’s undiscriminating good-nature, and the slap-dash sociability of her friends, who treated Lily precisely as they treated each other—all these characteristic notes of difference began to wear upon her endurance; and the more she saw to criticize in her companions, the less justification she found for making use of them. The longing to get back to her former surroundings hardened to a fixed idea; but with the strengthening of her purpose came the inevitable perception that, to attain it, she must exact fresh concessions from her pride. These, for the moment, took the unpleasant form of continuing to cling to her hosts after their return from Alaska. Little as she was in the key of their milieu, her immense social facility, her long habit of adapting herself to others without suffering her own outline to be blurred, the skilled manipulation of all the polished implements of her craft, had won for her an important place in the Gormer group. If their resonant hilarity could never be hers, she contributed a note of easy elegance more valuable to Mattie Gormer than the louder passages of the band. Sam Gormer and his special cronies stood indeed a little in awe of her; but Mattie’s following, headed by Paul Morpeth, made her feel that they prized her for the very qualities they most conspicuously lacked. If Morpeth, whose social indolence was as great as his artistic activity, had abandoned himself to the easy current of the Gormer existence, where the minor exactions of politeness were unknown or ignored, and a man could either break his engagements, or keep them in a painting-jacket and slippers, he still preserved his sense of differences, and his appreciation of graces he had no time to cultivate. During the preparations for the Brys’ tableaux he had been immensely struck by Lily’s plastic possibilities—“not the face: too self controlled for expression; but the rest of her—gad, what a model she’d make!”—and though his abhorrence of the world in which he had seen her was too great for him to think of seeking her there, he was fully alive to the privilege of having her to look at and listen to while he lounged in Mattie Gormer’s dishevelled drawing-room.
Lily had thus formed, in the tumult of her surroundings, a little nucleus of friendly relations which mitigated the crudeness of her course in lingering with the Gormers