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How To Read A Book- A Classic Guide to Intelligent Reading - Mortimer J. Adler, Charles Van Doren [3]

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who wishes to discover how much has been added can do so quickly by comparing the present Table of Contents with that of the original version. Of the four parts, only Part Two, expounding the rules of Analytical Reading, closely parallels the content of the original, and even that has been largely recast.

The introduction in Part One of the distinction of four levels of reading-elementary, inspectional, analytical, and syntopical

-is the basic and controlling change in the book's organization and content. The exposition in Part Three of the different ways to approach different kinds of reading materials-practical and theoretical books, imaginative literature (lyric poetry, epics, novels, plays), history, science and mathematics, social science, and philosophy, as well as reference books, current journalism, and even advertising-is the most extensive addition that has been made. Finally, the discussion of Syntopical Reading in Part Four is wholly new.

In the work of updating, recasting, and rewriting this book, I have been joined by Charles Van Doren, who for many years now has been my associate at the Institute for Philosophical Research. We have worked together on other books, notably the twenty-volume Annals of America, published by Encyclopaedia Britannica, Inc., in 1969. What is, perhaps, more relevant to the present cooperative venture in which we have been engaged as co-authors is that during the Preface xiii

last eight years Charles Van Doren and I have worked closely together in conducting discussion groups on great books and in moderating executive seminars in Chicago, San Francisco, and Aspen. In the course of these experiences, we acquired many of the new insights that have gone into the rewriting of this book.

I am grateful to Mr. Van Doren for the contribution he has made to our joint effort; and he and I together wish to express our deepest gratitude for all the constructive criticism, guidance, and help that we have received from our friend Arthur L. H. Rubin, who persuaded us to introduce many of the important changes that distinguish this book from its predecessor and make it, we hope, a better and more useful book.

MoRTIMER J. ADLER

Boca Grande

March 26, 1972

HOW

TO READ

A BOOK

P A R T O N E

The Dimensions

of Reading

1

TH E ACTIVITY AND ART

OF READI N G

This is a book for readers and for those who wish to become readers. Particularly, it is for readers of books. Even more particularly, it is for those whose main purpose in reading books is to gain increased understanding.

By "readers" we mean people who are still accustomed, as almost every liter!lte and intelligent person used to be, to gain a large share of their information about and their understanding of the world from the written word. Not all of it, of course; even in the days before radio and television, a certain amount of information and understanding was acquired through spoken words and through observation. But for intelligent and curious people that was never enough. They knew that they had to read too, and they did read.

There is some feeling nowadays that reading is not as necessary as it once was. Radio and especially television have taken over many of the functions once served by print, just as photography has taken over functions once served by painting and other graphic arts. Admittedly, television serves some of these functions extremely well; the visual communication of news events, for example, has enormous impact. The ability of radio to give us information while we are engaged in doing other things-for instance, driving a ear-is remarkable, and a great saving of time. But it may be seriously questioned 3

4 HOW TO READ A BOOK

whether the advent of modem communications media has much enhanced our understanding of the world in which we live.

Perhaps we know more about the world than we used to, and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something

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