Howards End - E. M. Forster [53]
London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract. She has never known the clear-cut armies of the purer air. Leonard hurried through her tinted wonders, very much part of the picture. His was a grey life, and to brighten it he had ruled off a few corners for romance. The Miss Schlegels – or, to speak more accurately, his interview with them – were to fill such a corner, nor was it by any means the first time that he had talked intimately to strangers. The habit was analogous to a debauch, an outlet, though the worst of outlets, for instincts that would not be denied. Terrifying him, it would beat down his suspicions and prudence until he was confiding secrets to people whom he had scarcely seen. It brought him many fears and some pleasant memories. Perhaps the keenest happiness he had ever known was during a railway journey to Cambridge, where a decent-mannered undergraduate had spoken to him. They had got into conversation, and gradually Leonard flung reticence aside, told some of his domestic troubles, and hinted at the rest. The undergraduate, supposing they could start a friendship, asked him to "coffee after hall," which he accepted, but afterwards grew shy, and took care not to stir from the commercial hotel where he lodged. He did not want Romance to collide with the Porphyrion, still less with Jacky, and people with fuller, happier lives are slow to understand this. To the Schlegels, as to the undergraduate, he was an interesting creature, of whom they wanted to see more. But they to him were denizens of Romance, who must keep to the corner he had assigned them, pictures that must not walk out of their frames.
His behaviour over Margaret's visiting-card had been typical. His had scarcely been a tragic marriage. Where there is no money and no inclination to violence tragedy cannot be generated. He could not leave his wife, and he did not want to hit her. Petulance and squalor were enough. Here "that card" had come in. Leonard, though furtive, was untidy, and left it lying about. Jacky found it, and then began, "What's that card, eh?" "Yes, don't you wish you knew what that card was?" "Len, who's Miss Schlegel?" etc. Months passed, and the card, now as a joke, now as a grievance, was handed about, getting dirtier and dirtier. It followed them when they moved from Cornelia Road to Tulse Hill. It was submitted to third parties. A few inches of pasteboard, it became the battlefield on which the souls of Leonard and his wife contended. Why did he not say, "A lady took my umbrella, another gave me this that I might call for my umbrella"? Because Jacky would have disbelieved him? Partly, but chiefly because he was sentimental. No affection gathered round the card, but it symbolized the life of culture, that Jacky should never spoil. At night he would say to himself, "Well, at all events, she doesn't know about that card. Yah! done her there!"
Poor Jacky! she was not a bad sort, and had a great deal to bear. She drew her own conclusion – she was only capable of drawing one conclusion – and in the fulness of time she acted upon it. All the Friday Leonard had refused to speak to her, and had spent the evening observing the stars. On the Saturday he went up, as usual, to town, but he came not back Saturday night nor Sunday morning, nor Sunday afternoon. The inconvenience grew intolerable, and though she was now of a retiring habit, and shy of women, she went up to Wickham Place. Leonard returned in her absence. The card, the fatal card,