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Humboldt's Gift (1976 Pulitzer Prize) - Saul Bellow [16]

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and prosperous enough to be ungrateful, it would vote for Ike, the sort of prince who could be ordered from a Sears Roebuck catalogue. Maybe it had had enough of great personalities like FDR and energetic men like Truman. But he didn’t wish to underrate America. Stevenson might make it. Now we would see where art would go in a liberal society, whether it was compatible with social progress. Meantime, having mentioned Roosevelt, Humboldt hinted that FDR might have had something to do with the death of Bronson Cutting. Senator Cutting’s plane had crashed while he was flying from his home state after a vote recount. How did that happen? Maybe J. Edgar Hoover was involved. Hoover kept his power by doing the dirty work of presidents. Remember how he tried to damage Burton K. Wheeler of Montana. From this Humboldt turned to Roosevelt’s sex life. Then from Roosevelt and J. Edgar Hoover to Lenin and Dzerzhinsky of the GPU. Then back to Sejanus, and the origins of secret police in the Roman Empire. Next he spoke of Trotsky’s literary theories and how heavy a load great art made in the baggage train of the Revolution. Then he went back to Ike and the peacetime life of professional soldiers in the Thirties. The drinking habits of the military. Churchill and the bottle. Confidential arrangements to protect the great from scandal. Security measures in the male brothels of New York. Alcoholism and homosexuality. The married and domestic lives of pederasts. Proust and Charlus. Inversion in the German Army before 1914. Late at night Humboldt read military history and war memoirs. He knew Wheeler-Bennett, Chester Wilmot, Lid-dell Hart, Hitler’s generals. He also knew Walter Winchell and Earl Wilson and Leonard Lyons and Red Smith, and he moved easily from the tabloids to General Rommel and from Rommel to John Donne and T. S. Eliot. About Eliot he seemed to know strange facts no one else had ever heard. He was filled with gossip and hallucination as well as literary theory. Distortion was inherent, yes, in all poetry. But which came first? And this rained down on me, part privilege, part pain, with illustrations from the classics and the sayings of Einstein and Zsa Zsa Gabor, with references to Polish socialism and the football tactics of George Halas and the secret motives of Arnold Toynbee, and (somehow) the used-car business. Rich boys, poor boys, jewboys, goyboys, chorus girls, prostitution and religion, old money, new money, gentlemen’s clubs, Back Bay, Newport, Washington Square, Henry Adams, Henry James, Henry Ford, Saint John of the Cross, Dante, Ezra Pound, Dostoevski, Marilyn Monroe and Joe DiMaggio, Gertrude Stein and Alice, Freud and Ferenczi. With Ferenczi he always made the same observation: nothing could be further from instinct than rationality and therefore, according to Ferenczi, rationality was also the height of madness. As proof, how crazy Newton became! And at this point Humboldt generally spoke of Antonin Artaud. Artaud, the playwright, invited the most brilliant intellectuals in Paris to a lecture. When they were assembled there was no lecture. Artaud came on stage and screamed at them like a wild beast. “Opened his mouth and screamed,” said Humboldt. “Raging screams. While those Parisian intellectuals sat frightened. For them it was a delicious event. And why? Artaud as the artist was a failed priest. Failed priests specialize in blasphemy. Blasphemy is aimed at a community of believers. In this case, what kind of belief? Belief only in intellect, which a Ferenczi has now charged with madness. But what does it mean in a larger sense? It means that the only art intellectuals can be interested in is an art which celebrates the primacy of ideas. Artists must interest intellectuals, this new class. This is why the state of culture and the history of culture become the subject matter of art. This is why a refined audience of Frenchmen listens respectfully to Artaud screaming. For them the whole purpose of art is to suggest and inspire ideas and discourse. The educated people of modern countries are a thinking rabble at
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