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Humboldt's Gift (1976 Pulitzer Prize) - Saul Bellow [175]

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sundae. We went to hear Paul Ash’s sizzling band, we also heard vaudeville seals who played “Yankee Doodle” by nipping the syringe bulbs of automobile horns. We swam at Clarendon Beach, where everyone peed in the water. At night he taught me astronomy. He explained Darwin to me. He married his high-school sweetheart from Ypsilanti. Her name was Marsha. She was obese. She was homesick and she lay in bed and cried. I once saw her sitting in the bathtub trying to wash her hair. She took water in her hands but her arms were too fat to raise it in her palms as high as the head. This dear girl was dead. Menasha had been an electrician in Brooklyn for most of his life. Of his dramatic tenor nothing was left but the yelping of an old man, greatly moved. Of his stiff red hair there remained only this orange-whitey cirrhus formation. “Very kind people, the Citrines. Maybe not Julius. He was rough. Is Julius still Julius? Your mother was so helpful to Marsha. Your kind poor mother. . . . But let’s go and see Waldemar. I’m only the greeting committee and he’s waiting. They keep him in a back room by the kitchen.”

We found Waldemar sitting on the edge of his bed, a man with wide shoulders, and his hair wet-brushed very like Hum-boldt’s, the same broad face, and the eyes gray and set wide. Within ten miles of Coney Island, perhaps, sucking in and straining tons of water, puffing vapor from his head, there was a whale with eyes similarly positioned.

“So you were my nephew’s buddy,” said the old gambler.

“This is Charlie Citrine,” said Menasha. “You know, Waldemar, he recognized me. The boy recognized me all right. Gosh, Charlie, you should, you know. I paid out a fortune on sodas and treats. There ought to be some justice.”

Through Humboldt I knew Uncle Waldemar, of course. He was an only son, with four older sisters and a doting mother, much pampered, idle, a poolroom bum, a dropout, mooching from his sisters and stealing from their purses. Eventually he placed Humboldt in the senior position as well. Becoming rather a brother than an uncle. The kid role was the only role he understood.

I was thinking that life was a hell of a lot more bounteous than I had ever realized. It rushed over us with more than our senses and our judgment could take in. One life with its love affairs, its operatic ambitions, its dollars and horse races and marriage-designs and old people’s homes is, after all, only a tin dipperful of this superabundance. It rushes up also from within. Take a room like Uncle Waldemar’s, smelling of wieners boiling for lunch, with Waldemar squatting on the edge of the bed, all dressed up for a visit, his face, his head blearily similar to Humboldt’s, but with the effect of a blown dandelion, all the yellow gone gray; take the old gentlemen’s green shirt, buttoned to the collar; take his good suit on the wire hanger in the corner (he would have a dressy funeral); take the satchels under his bed and the pin-ups of horses and prizefighters and the book-jacket photograph of Humboldt in the days when Humboldt was impossibly beautiful. If this is literally all what life is, then Renata’s little rhyme about Chicago is right on the head: “Without O’Hare, it’s sheer despair.” And all O’Hare can do is change the scene for you and take you from dismal to dismal, from boredom to boredom. But why did a kind of faintness come over me at the start of this interview with Uncle Waldemar in the presence of Menasha and Renata? Because there is far more to any experience, connection, or relationship than ordinary consciousness, the daily life of the ego, can grasp. Yes. You see, the soul belongs to a greater, an all-embracing life outside. It’s got to. Learning to think of this existence of mine as merely the present existence, one in a series, I was not really surprised to meet Menasha Klinger. He and I obviously held permanent membership in some larger, more extended human outfit, and his desire to stand in brocade and sing Rhadames in Aida was like my eagerness to go far, far beyond fellow intellectuals of my generation who had lost the imaginative

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