Humboldt's Gift (1976 Pulitzer Prize) - Saul Bellow [6]
Madly excited, I looked diffident. Of course I was in a state of intense preparation and hoped to knock everybody dead. Each morning at the Fuller Brush sales-team pep meeting we said in unison, “I’m fine and dandy, how are you?” But I actually was fine and dandy. I didn’t have to put it on. I couldn’t have been more eager—eager to greet housewives, eager to come in and see their kitchens, eager to hear their tales and their complaints. The passionate hypochondria of Jewish women was new to me then, I was keen to hear about their tumors and their swollen legs. I wanted them to tell me about marriage, childbirth, money, sickness, and death. Yes, I tried to put them into categories as I sat there drinking coffee. They were petty bourgeois, husband-killers, social climbers, hysterics, etcetera. But it was no use, this analytical skepticism. I was too enthusiastic. So I eagerly peddled my brushes, and just as eagerly I went to the Village at night and listened to the finest talkers in New York—Schapiro, Hook, Rahv, Huggins, and Gumbein. Under their eloquence I sat like a cat in a recital hall. But Humboldt was the best of them all. He was simply the Mozart of conversation.
On the ferryboat Humboldt said, “I made it too young, I’m in trouble.” He was off then. His spiel took in Freud, Heine, Wagner, Goethe in Italy, Lenin’s dead brother, Wild Bill Hickok’s costumes, the New York Giants, Ring Lardner on grand opera, Swinburne on flagellation, and John D. Rockefeller on religion. In the midst of these variations the theme was always ingeniously and excitingly retrieved. That afternoon the streets looked ashen but the deck of the ferry was bright gray. Humboldt was slovenly and grand, his mind undulating like the water and the waves of blond hair rising on his head, his face with widely separated gray eyes white and tense, his hands deep in his pockets, and his feet in polo boots set close together.
If Scott Fitzgerald had been a Protestant, said Humboldt, Success wouldn’t have damaged him so much. Look at Rockefeller Senior, he knew how to handle Success, he simply said that God had given him all his dough. Of course that was stewardship. That was Calvinism. Once he had spoken of Calvinism, Humboldt was bound to go on to Grace and Depravity. From Depravity he moved to Henry Adams, who said that in a few decades mechanical progress would break our necks anyway, and from Henry Adams he went into the question of eminence in an age of revolutions, melting pots, and masses, and from this he turned to Tocqueville, Horatio Alger, and Ruggles of Red Gap. Movie-mad Humboldt followed Screen Gossip magazine. He personally remembered Mae Murray like a goddess in sequins on the stage of Loew’s inviting kids to visit her in California. “She starred in The Queen of Tasmania and Circe the Enchantress, but she ended as a poorhouse crone. And what about what’s-his-name who killed himself in the hospital? He took a fork and hammered it into his heart with the heel of his shoe, poor fellow!”
This was sad. But I didn’t really care how many people bit the dust.