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I Am a Strange Loop - Douglas R. Hofstadter [126]

By Root 1834 0

Likewise, Gödel’s string KG, which we conventionally express in supercondensed form through phrases such as “I am not provable in PM”, would, if written out in pure PM notation, be monstrously long — and yet despite its formidable size, we understand precisely what it says. How is that possible? It is a result of its condensability. KG is not a random sequence of PM symbols, but a formula possessing a great deal of structure. Just as the billions of cells comprising a heart are so extremely organized that they can be summarized in the single word “pump”, so the myriad symbols in KG can be summarized in a few well-chosen English words.

To return to the Sanskrit challenge, imagine that I changed the rules, allowing you to define new Sanskrit words and to employ them in the definitions of yet further new Sanskrit words. Thus “electricity” could be defined and used in the description of TV cameras and televisions and washing machines, and “TV program” could be used in the definition of “soap opera”, and so forth. If abbreviations could thus be piled on abbreviations in an unlimited fashion, then it is likely that instead of producing a book-length Sanskrit explanation of “soap digest rack”, you would need only a few pages, perhaps even less. Of course, in all this, you would have radically changed the Sanskrit language, carrying it forwards in time a few thousand years, but that is how languages always progress. And that is also the way the human mind works — by the compounding of old ideas into new structures that become new ideas that can themselves be used in compounds, and round and round endlessly, growing ever more remote from the basic earthbound imagery that is each language’s soil.

Winding Up the Debriefing

In my allegory, both the Klüdgerot and the Alfbert supposedly have the ability to read pure PM strings — strings that contain no abbreviations whatsoever. Since at one level (the level perceived by the Klüdgerot) these strings talk about themselves, they are like Gödel’s KG, and this means that such strings are, for want of a better term, infinitely huge (for all practical purposes, anyway). This means that any attempt to read them as statements about numbers will never yield anything comprehensible at all, and so the Alfbert’s ability, as described, is a total impossibility. But so is the Klüdgerot’s, since they too are overwhelmed by an endless sea of symbols. The only hope for either the Alfbert or the Klüdgerot is to notice that certain patterns are used over and over again in the sea of symbols, and to give these patterns names, thus compressing the string into something more manageable, and then carrying this process of patternfinding and compression out at the new, shorter level, and each time compressing further and further and further until finally the whole string collapses down into just one simple idea: “I am not edible” (or, translating out of the allegory, “I am not provable”).

Bertrand Russell never imagined this kind of a level-shift when he thought about the strings of PM. He was trapped by the understandable preconception that statements about whole numbers, no matter how long or complicated they might get, would always retain the familiar flavor of standard number-theoretical statements such as “There are infinitely many primes” or “There are only three pure powers in the Fibonacci sequence.” It never occurred to him that some statements could have such intricate hierarchical structures that the number-theoretical ideas they would express would no longer feel like ideas about numbers. As I observed in Chapter 11, a dog does not imagine or understand that certain large arrays of colored dots can be so structured that they are no longer just huge sets of colored dots but become pictures of people, houses, dogs, and many other things. The higher level takes perceptual precedence over the lower level, and in the process becomes the “more real” of the two. The lower level gets forgotten, lost in the shuffle.

Such an upwards level-shift is a profound perceptual change, and when it takes place

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