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I, Claudius - Robert Graves [17]

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love for Marcellus, did not allow himself to consider how generously Agrippa was behaving, for that would have been a confession of his own weakness, and so made no reference to the matter either. He granted Agrippa’s request with alacrity, saying how important it was to get the Eagles back, and the captives—if any of them were still alive after so long—and asked how soon he would be ready to start. Agrippa was hurt, misunderstanding his manner. He thought that Augustus wanted to get rid of him, really believing that he was quarrelling with Marcellus about the succession. He thanked him for granting his request, coldly protested his loyalty and friendship, and said that he was ready to sail the following day.

He did not go to Syria. He went no farther than the island of Lesbos, sending his lieutenants ahead to administer the province for him. He knew that his stay at Lesbos would be read as a sort of banishment incurred because of Marcellus. He did not visit the province, because if he bad done so it would have given the Marcellans a handle against him: they would have said that he had gone to the East in order to gather an army together to march against Rome. But he flattered himself that Augustus would need his services before long; and fully believed that Marcellus was planning to usurp the monarchy. Lesbos was conveniently near Rome. He did not forget his commission: he opened negotiations, through intermediaries, with the King of Parthia but did not expect to conclude them for a while.

It takes a deal of time and patience to drive a good bargain with an Eastern monarch.

Marcellus was elected to a City magistracy, his first official appointment, and made this the occasion for a magnificent display of public Games. He not only tented in the theatres themselves, against sun and rain, and hung them with splendid tapestries but made a gigantic multicoloured marquee of the whole Market Place. The effect was very gorgeous, particularly from the inside when the sun shone through. In this tent-making he used a fabulous amount of red, yellow and green cloth, which when the Games were over was cut up and distributed to the citizens for clothes and bed-linen. Huge numbers of wild beasts were imported from Africa for the combats in the amphitheatre, including many lions, and there was a fight between fifty German captives and an equal number of black warriors from Morocco. Augustus himself contributed lavishly towards the expenses; and so did Octavia, as Marcellus' mother. When Octavia appeared in the ceremonial procession she was greeted with such resounding applause that Livia could hardly restrain tears of anger and Jealousy.

Two days later Marcellus fell sick. His symptoms were precisely the same as those of Augustus in his recent illness, so naturally Musa was sent for again. He had become excessively rich and famous, charging as much as a thousand gold pieces for a single professional visit, and making a favour of it at that. In all cases where sickness had not taken too strong a hold on his patients his mere name was enough to bring about an immediate cure. The credit went to the cold lotions and cold potions, the secret prescriptions for which he refused to communicate to anyone.

Augustus' confidence in Musa's powers was so great that he made light of Marcellus' sickness and the Games continued. But somehow, in spite of the unremitting attention of Livia and the very coldest lotions and potions that Musa could prescribe, Marcellus died. The grief of both Octavia and Augustus was unbounded and the death was mourned as a public calamity. There were, however, a good many level-headed people who did not regret Marcellus' disappearance. There would certainly have been civil war again between him and Agrippa if Augustus had died and he had attempted to step into his place: now Agrippa was the only possible successor. But this was reckoning without Livia, whose fixed intention it was, in the event of Augustus' death—Claudius, Claudius, you said that you would not mention Livia's motives but only record her acts—whose fixed

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