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I Remember Nothing [9]

By Root 1021 0
The editors and copy editors brought me along. They actually nurtured me. They assigned me short pieces at first, then longer pieces, then five-part series. I learned by doing, and after a while, I had an instinctive sense of structure. There was a brilliant copy editor, Fred McMorrow, who would walk my story back to me and explain why he was making the changes he was making. Never begin a story with a quote, he said. Never use anything but “said.” Never put anything you really care about into the last paragraph because it will undoubtedly be cut for space. There was a great features editor, Joe Rabinovich, who kept my occasional stylistic excesses in line; he saved me from woeful idiocy when Tom Wolfe began writing for the Herald Tribune and I made a pathetic attempt to write exactly like him. The executive editor, Stan Opotowsky, came up with a series of offbeat feature assignments for me. I wrote about heat waves and cold snaps; I covered the Beatles and Bobby Kennedy and the Star of India robbery.


The Post had a bare-bones staff, but more women worked there than worked at all the other New York papers combined. The greatest of the rewrite men at the Post was a woman named Helen Dudar. Hello, sweetheart, get me rewrite. In those days, the Post published six editions a day, starting at eleven in the morning and ending with the four-thirty stock market final. When news broke, reporters in the street would phone in the details from pay phones and rewrite men would write the stories. The city room was right next to the press room, and the noise—of reporters typing, pressmen linotyping, wire machines clacking, and presses rolling—was a journalistic fantasy.

I worked at the Post for five years. Then I became a magazine writer. I believed in journalism. I believed in truth. I believed that when people claimed they’d been misquoted, they were just having trouble dealing with the sight of their words in cold, hard print. I believed that when political activists claimed that news organizations conspired against them, they had no idea that most journalistic enterprises were far too inept to harbor conspiracy. I believed that I was temperamentally suited to journalism because of my cynicism and emotional detachment; I sometimes allowed that these were character flaws, but I didn’t really believe it.

I married a journalist, and that didn’t work. But then I married another, and it did.

Now I know that there’s no such thing as the truth. That people are constantly misquoted. That news organizations are full of conspiracy (and that, in any case, ineptness is a kind of conspiracy). That emotional detachment and cynicism get you only so far.

But for many years I was in love with journalism. I loved the city room. I loved the pack. I loved smoking and drinking scotch and playing dollar poker. I didn’t know much about anything, and I was in a profession where you didn’t have to. I loved the speed. I loved the deadlines. I loved that you wrapped the fish.

You can’t make this stuff up, I used to say.


I’d known since I was a child that I was going to live in New York eventually, and that everything in between would be just an intermission. I’d spent all those years imagining what New York was going to be like. I thought it was going to be the most exciting, magical, fraught-with-possibility place that you could ever live; a place where if you really wanted something you might be able to get it; a place where I’d be surrounded by people I was dying to know; a place where I might be able to become the only thing worth being, a journalist.

And I’d turned out to be right.

The Legend

I grew up in Beverly Hills, in a Spanish house in the flats. My parents had a large group of friends, almost all of them transplanted New Yorkers who were in the business. That’s what it was known as—the business. (People who were not in the business were known as civilians.) The men were screenwriters or television writers. Their wives did nothing. They were known at the time as housewives, but none of them did housework—they all had cooks and maids

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