I, Robot [0]
About Doctorow:
Cory Doctorow (born July 17, 1971) is a blogger, journalist and science fiction author who serves as co-editor of the blog Boing Boing. He is in favor of liberalizing copyright laws, and a proponent of the Creative Commons organisation, and uses some of their licenses for his books. Some common themes of his work include digital rights management, file sharing, Disney, and post-scarcity economics. Source: Wikipedia
Also available on Feedbooks for Little Brother (2008)
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CONTENT: Selected Essays on Technology, Creativity, Copyright and the Future of the Future (2008)
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Eastern Standard Tribe (2004)
For The Win (2010)
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Copyright:
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Forematter
This story is part of Cory Doctorow’s 2007 short story collection “Overclocked: Stories of the Future Present,” published by Thunder’s Mouth, a division of Avalon Books. It is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 license, about which you’ll find more at the end of this file.
This story and the other stories in the volume are available at:
http://craphound.com/overclocked
You can buy Overclocked at finer bookstores everywhere, including Amazon:
http://www.amazon.com/exec/obidos/ASIN/1560259817/downandoutint-20
In the words of Woody Guthrie:
“This song is Copyrighted in U.S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin it without our permission, will be mighty good friends of ourn, cause we don’t give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that’s all we wanted to do.”
Overclocked is dedicated to Pat York, who made my stories better.
Introduction
I was suckled on the Asimov Robots books, taken down off my father’s bookshelf and enjoyed again and again. I read dozens of Asimov novels, and my writing career began in earnest when I started to sell stories to Asimov’s Science Fiction Magazine, which I had read for so long as I’d had the pocket money to buy it on the stands.
When Wired Magazine asked me to interview the director of the film I, Robot, I went back and re-read that old canon. I was struck immediately by one of the thin places in Asimov’s world-building: how could you have a society where only one company was allowed to make only one kind of robot?
Exploring this theme turned out to be a hoot. I worked in some of Orwell’s most recognizable furniture from 1984, and set the action in my childhood home in suburban Toronto, 55 Picola Court. The main character’s daughter is named for my god-daughter, Ada Trouble Norton. I had a blast working in the vernacular of the old-time futurism of Asimov and Heinlein, calling toothpaste “dentifrice” and sneaking in references to “the search engine.”
My “I, Robot” is an allegory about digital rights management technology, of course. This is the stuff that nominally stops us from infringing copyright (yeah, right, how’s that working out for you, Mr Entertainment Exec?) and turns our computers into something that controls us, rather than enabling us.
This story was written at a writer’s workshop on Toronto Island, at the Gibraltar Point center, and was immeasurably improved by my friend Pat York, herself a talented writer who died later that year in a car wreck. Not a day goes by that I don’t miss Pat. This story definitely owes its strength to Pat, and it’s a tribute to her that it won the 2005 Locus Award and was a finalist for the Hugo and British Science Fiction Award in the same year.
I, Robot
Arturo Icaza de Arana-Goldberg, Police Detective Third Grade, United North American Trading Sphere, Third District, Fourth