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Ice - Anna Kavan [51]

By Root 264 0
I managed to obtain a horse and rode ten miles inland, but the awful featureless scene did not change, the same derelict stony waste extended to the horizon in every direction, no sign of life or water. The whole country seemed stone dead, grey in colour, no hills except hills of stones, even its natural contours destroyed by war.

The girl was exhausted, worn out by travel: she did not want to go on. She kept saying that she must rest, begged me to leave her and continue the voyage alone. 'Don't drag me any further!' Her voice was fretful. 'You only do it to torture me.' I replied that I was trying to save her. Anger showed in her eyes. 'That's what you say. I was fool enough to believe you the first time.' In spite of all attempts to please her, she persisted in treating me as a treacherous enemy. Hitherto I had tried to comfort, to understand. Now her protracted antagonism had its effect, I followed her into the tiny cabin. She struggled, there was no room, the boat rolled, she fell from the berth, her shoulder struck the floor and the soft flesh was hurt. She cried, 'You're a brute! A beast! I detest you!' tried to hit me, to struggle up; but I forced her under, forced her to stay down in that hard cold place. She cried out. 'I wish I could kill you!' began to sob and struggle hysterically. I slapped the side of her face.

She was afraid of me, but her hostility continued unchanged. Her white, stubborn, frightened child's face got on my nerves. She was still always cold, although the days were gradually getting warmer. She refused my coat. I was obliged to watch her incessant shivering.

She grew emaciated, the flesh seemed to melt off her bones. Her hair lost its glitter, was too heavy, weighed her head down. She kept her head bent, trying not to see me. Listless, she hid in corners or, avoiding me, staggered round the ship, stumbling, her weak legs unable to balance. I no longer felt any desire, gave up talking to her, adopted the warden's silences as my own. I was well aware how sinister my wordless exits and entrances must have seemed, and derived some satisfaction from this.

We were near the end of the journey.


ELEVEN

The gay, undamaged town, full of light and colour, freedom, the absence of danger, the warm sun. The faces were happy. The sense of escape brought euphoria. The past was forgotten, the long, hard, dangerous voyage and the preceding nightmare. Nothing but the nightmare had seemed real while it was going on, as if the other lost world had been imagined or dreamed. Now that world, no longer lost, was here the one solid reality. There were theatres, cinemas, restaurants and hotels, shops where goods of all sorts were sold freely, without coupons. The contrast was staggering. The relief overwhelming. The reaction too great. A kind of delirium was induced, a mad gaiety. People sang and danced in the streets, strangers embraced one another. The whole town was decorated as for a festival: flowers everywhere, Chinese lanterns and fairy lights strung from trees, buildings floodlit, elaborate arrangements of coloured lights in the parks and gardens. The throb of dance music never stopped. Every night firework displays. All night long fiery stars and rockets burst in the sky, and sank reflected in the dark harbour. The festivities went on and on: carnivals, battles of flowers, balls, regattas, concerts, processions. Nobody wanted to be reminded of what was happening in other parts of the world. Rumours coming from outside were suppressed by order of the consul, who had assumed responsibility for the maintenance of law and order, 'pending the restoration of the status quo'. To speak of the catastrophe was an offence under the new regulations. The rule was to choose not to know.

Remembering how I myself had wished to forget on another occasion, I understood the euphoric blindness without condoning it. I did not take part in the general rejoicing; I did not feel gay. I had no wish to spend my time dancing or looking at fireworks. Very soon I was utterly sick of bands playing and people in fancy dress. The

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