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In Cold Blood - Truman Capote [76]

By Root 397 0
coffee, then blamed it all on "a silly dream" - but a dream the power of daylight had not dispersed. "It was so real, Alvin," she said. "As real as this kitchen. That's where I was. Here in the kitchen. I was cooking supper, and suddenly Bonnie walked through the door. She was wearing a blue angora sweater, and she looked so sweet and pretty. And I said, 'Oh, Bonnie . . . Bonnie, dear ... I haven't seen you since that terrible thing happened.' But she didn't answer, only looked at me in that shy way of hers, and I didn't know how to go on. Under the circumstances. So I said, 'Honey, come see what I'm making Alvin for his supper. A pot of gumbo. With shrimp and fresh crabs. It's just about ready. Come on, honey, have a taste.' But she wouldn't. She stayed by the door looking at me. And then - I don't know how to tell you exactly, but she shut her eyes, she began to shake her head, very slowly, and wring her hands, very slowly, and to whimper, or whisper. I couldn't understand what she was saying. But it broke my heart, I never felt so sorry for anyone, and I hugged her. I said, 'Please, Bonnie! Oh, don't, darling, don't! If ever anyone was prepared to go to God, it was you, Bonnie.' But I couldn't comfort her. She shook her head, and wrung her hands, and then I heard what she was saying. She was saying, 'To be murdered. To be murdered. No. No. There's nothing worse. Nothing worse than that. Nothing."

It was midday deep in the Mojave Desert. Perry, sitting on a straw suitcase, was playing a harmonica. Dick was standing at the side of a black-surfaced high-way, Route 66, his eyes fixed upon the immaculate emptiness as though the fervor of his gaze could force motorists to materialize. Few did, and none of those stopped for the hitchhikers. One truck driver, bound for Needles, California, had offered a lift, but Dick had declined. That was not the sort of "setup" he and Perry wanted. They were waiting for some solitary traveler in a decent car and with money in his billfold - a stranger to rob, strangle, discard on the desert. In the desert, sound often precedes sight. Dick heard the dim vibrations of an oncoming, not yet visible car. Perry heard it, too; he put the harmonica in his pocket, picked up the straw suitcase (this, their only luggage, bulged and sagged with the weight of Perry's souvenirs, plus three shirts, five pairs of white socks, a box of aspirin, a bottle of tequila, scissors, a safety razor, and a finger-nail file; all their other belongings had either been pawned or been left with the Mexican bartender or been shipped to Las Vegas),and joined Dick at the side of the road. They watched. Now the car appeared, and grew until it became a blue Dodge sedan with a single passenger, a bald, skinny man. Perfect. Dick raised his hand and waved. The Dodge slowed down, and Dick gave the man a sumptuous smile. The car almost, but not quite, came to a stop, and the driver leaned out the window, looking them up and down. The impression they made was evidently alarming (after a fifty-hour bus ride from Mexico City to Barstow, California, and half a day of trekking across the Mojave, both hikers were bearded, stark, dusty figures.) The car leaped forward and sped on. Dick cupped his hands around his mouth and called out, "You're a lucky bastard!" Then he laughed and hoisted the suit-case to his shoulder. Nothing could get him really angry, because, as he later recalled, he was "too glad to be back in the good ol U.S.A." Anyway, another man in another car would come along. Perry produced his harmonica (his since yesterday, when he stole it from a Barstow variety store) and played the opening bars of what had come to be their "marching music"; the song was one of Perry's favorites, and he had taught Dick all five stanzas. In step, and side by side, they swung along the highway, singing, "Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored." Through the silence of the desert, their hard, young voices rang: "Glory! Glory! Hallelujah!

Glory! Glory! Hallelujah!"

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