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In Defence of Harriet Shelley [20]

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passion for Mary Godwin that if it had been a check it would have lost its value before a lazy person could have gotten to the bank with it.

Hardness, stubbornness, pride, vindictiveness--these may sometimes reside in a young wife and mother of nineteen, but they are not charged against Harriet Shelley outside of that poem, and one has no right to insert them into her character on such shadowy "evidence" as that. Peacock knew Harriet well, and she has a flexible and persuadable look, as painted by him:

"Her manners were good, and her whole aspect and demeanor such manifest emanations of pure and truthful nature that to be once in her company was to know her thoroughly. She was fond of her husband, and accommodated herself in every way to his tastes. If they mixed in society, she adorned it; if they lived in retirement, she was satisfied; if they travelled, she enjoyed the change of scene."

"Perhaps" she had never desired that the breach should be irreparable and complete. The truth is, we do not even know that there was any breach at all at this time. We know that the husband and wife went before the altar and took a new oath on the 24th of March to love and cherish each other until death--and this may be regarded as a sort of reconciliation itself, and a wiping out of the old grudges. Then Harriet went away, and the sister-in-law removed herself from her society. That was in April. Shelley wrote his "appeal" in May, but the corresponding went right along afterwards. We have a right to doubt that the subject of it was a "reconciliation," or that Harriet had any suspicion that she needed to be reconciled and that her husband was trying to persuade her to it--as the biographer has sought to make us believe, with his Coliseum of conjectures built out of a waste-basket of poetry. For we have "evidence" now--not poetry and conjecture. When Shelley had been dining daily in the Skinner Street paradise fifteen days and continuing the love-match which was already a fortnight old twenty-five days earlier, he forgot to write Harriet; forgot it the next day and the next. During four days Harriet got no letter from him. Then her fright and anxiety rose to expression-heat, and she wrote a letter to Shelley's publisher which seems to reveal to us that Shelley's letters to her had been the customary affectionate letters of husband to wife, and had carried no appeals for reconciliation and had not needed to:

"BATH (postmark July 7, 1814). "MY DEAR SIR,-- You will greatly oblige me by giving the enclosed to Mr. Shelley. I would not trouble you, but it is now four days since I have heard from him, which to me is an age. Will you write by return of post and tell me what has become of him? as I always fancy something dreadful has happened if I do not hear from him. If you tell me that he is well I shall not come to London, but if I do not hear from you or him I shall certainly come, as I cannot endure this dreadful state of suspense. You are his friend and you can feel for me. "I remain yours truly, "H. S."


Even without Peacock's testimony that "her whole aspect and demeanor were manifest emanations of a pure and truthful nature," we should hold this to be a truthful letter, a sincere letter, a loving letter; it bears those marks; I think it is also the letter of a person accustomed to receiving letters from her husband frequently, and that they have been of a welcome and satisfactory sort, too, this long time back--ever since the solemn remarriage and reconciliation at the altar most likely.

The biographer follows Harriet's letter with a conjecture. He conjectures that she "would now gladly have retraced her steps." Which means that it is proven that she had steps to retrace--proven by the poem. Well, if the poem is better evidence than
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