In Search of Lost Time, Volume I_ Swann's Way - Marcel Proust [181]
“I swear to you,” he told her, shortly before she was to leave for the theatre, “that, in asking you not to go, I should hope, were I a selfish man, for nothing so much as that you should refuse, for I have a thousand other things to do this evening and I shall feel trapped myself, and rather annoyed, if, after all, you tell me you’re not going. But my occupations, my pleasures are not everything; I must think of you too. A day may come when, seeing me irrevocably sundered from you, you will be entitled to reproach me for not having warned you at the decisive hour in which I felt that I was about to pass judgment on you, one of those stern judgments which love cannot long resist. You see, your Nuit de Cléopâtre (what a title!) has no bearing on the point. What I must know is whether you are indeed one of those creatures in the lowest grade of mentality and even of charm, one of those contemptible creatures who are incapable of forgoing a pleasure. And if you are such, how could anyone love you, for you are not even a person, a clearly defined entity, imperfect but at least perfectible. You are a formless water that will trickle down any slope that offers itself, a fish devoid of memory, incapable of thought, which all its life long in its aquarium will continue to dash itself a hundred times a day against the glass wall, always mistaking it for water. Do you realise that your answer will have the effect—I won’t say of making me cease loving you immediately, of course, but of making you less attractive in my eyes when I realise that you are not a person, that you are beneath everything in the world and incapable of raising yourself one inch higher. Obviously, I should have preferred to ask you as a matter of little or no importance to give up your Nuit de Cléopâtre (since you compel me to sully my lips with so abject a name) in the hope that you would go to it none the less. But, having decided to make such an issue of it, to draw such drastic consequences from your reply, I considered it more honourable to give you due warning.”
Meanwhile, Odette had shown signs of increasing emotion and uncertainty. Although the meaning of this speech was beyond her, she grasped that it was to be included in the category of “harangues” and scenes of reproach or supplication, which her familiarity with the ways of men enabled her, without paying any heed to the words that were uttered, to conclude that they would not make unless they were in love, and that since they were in love, it was unnecessary to obey them, as they would only be more in love later on. And so she would have heard Swann out with the utmost tranquillity had she not noticed that it was growing late, and that if he went on talking much longer she would, as she told him with a fond smile, obstinate if slightly abashed, “end by missing the Overture.”
On other occasions he told her that the one thing that would make him cease to love her more than anything else would be her refusal to abandon the habit of lying. “Even from the point of view of coquetry, pure and simple,” he said to her, “can’t you see how much of your attraction you throw away