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In Search of Lost Time, Volume I_ Swann's Way - Marcel Proust [49]

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fortnight there would be none left, raspberries which M. Swann had brought specially, cherries, the first to come from the cherry-tree which had yielded none for the last two years, a cream cheese, of which in those days I was extremely fond, an almond cake because she had ordered one the evening before, a brioche because it was our turn to make them for the church. And when all this was finished, a work composed expressly for ourselves, but dedicated more particularly to my father who had a fondness for such things, a chocolate cream, Françoise’s personal inspiration and speciality would be laid before us, light and fleeting as an “occasional” piece of music into which she had poured the whole of her talent. Anyone who refused to partake of it, saying: “No, thank you, I’ve finished; I’m not hungry any more,” would at once have been relegated to the level of those Philistines who, even when an artist makes them a present of one of his works, examine its weight and material, whereas what is of value is the creator’s intention and his signature. To have left even the tiniest morsel in the dish would have shown as much discourtesy as to rise and leave a concert hall before the end of a piece under the composer’s very eyes.

At length my mother would say to me: “Now, don’t stay here all day; you can go up to your room if you are too hot outside, but get a little fresh air first; don’t start reading immediately after your food.” And I would go and sit down beside the pump and its trough, ornamented here and there, like a Gothic font, with a salamander, which impressed on the rough stone the mobile relief of its tapering allegorical body, on the bench without a back, in the shade of a lilac-tree, in that little corner of the garden which opened, through a service door, on to the Rue du Saint-Esprit, and from whose neglected soil there rose, in two stages, jutting out from the house itself, and as it were a separate building, my aunt’s back-kitchen. One could see its red-tiled floor gleaming like porphyry. It seemed not so much the cave of Françoise as a little temple of Venus. It would be overflowing with the offerings of the dairyman, the fruiterer, the greengrocer, come sometimes from distant villages to dedicate to the goddess the first-fruits of their fields. And its roof was always crowned with a cooing dove.

In earlier days I did not linger in the sacred grove which surrounded this temple, for, before going upstairs to read, I used to steal into the little sitting-room that my uncle Adolphe, a brother of my grandfather and an old soldier who had retired from the service as a major, occupied on the ground floor, a room which, even when its opened windows let in the heat, if not actually the rays of the sun which seldom penetrated so far, would never fail to emit that oddly cool odour, suggestive at once of woodlands and the ancient régime, which sets the nostrils quivering when one goes into an abandoned shooting-lodge. But for some years now I had not gone into my uncle Adolphe’s sanctum, for he no longer came to Combray on account of a quarrel which had arisen between him and my family, through my fault, in the following circumstances:

Once or twice a month, in Paris, I used to be sent to pay him a visit, as he was finishing his luncheon, wearing a simple jacket and waited upon by his manservant in a tunic of striped drill, purple and white. He would complain that I had not been to see him for a long time, that he was being neglected; he would offer me a biscuit or a tangerine, and we would go through a drawing-room in which no one ever sat, whose fire was never lighted, whose walls were decorated with gilded mouldings, its ceiling painted blue in imitation of the sky, and its furniture upholstered in satin, as at my grandparents’, only yellow; then we would enter what he called his “study,” a room whose walls were hung with prints which showed, against a dark background, a pink and fleshy goddess driving a chariot, or standing upon a globe, or wearing a star on her brow—pictures which were popular under the Second Empire

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