In Search of Lost Time, Volume II_ Within a Budding Grove - Marcel Proust [132]
I could scarcely answer the porter who offered to take my bag. My mother tried to comfort me by the methods which seemed to her most efficacious. Thinking it useless to appear not to notice my unhappiness, she gently teased me about it: “Well, and what would Balbec church say if it knew that people pulled long faces like that when they were going to see it? Surely this is not the enraptured traveller Ruskin speaks of. In any case I shall know if you have risen to the occasion, even when we’re miles apart I shall still be with my little man. You shall have a letter tomorrow from your Mamma.”
“My dear,” said my grandmother, “I picture you like Mme de Sévigné, your eyes glued to the map, and never losing sight of us for an instant.”
Then Mamma sought to distract me by asking what I thought of having for dinner and drawing my attention to Françoise, whom she complimented on a hat and coat which she did not recognise, although they had horrified her long ago when she first saw them, new, upon my great-aunt, the one with an immense bird towering over it, the other decorated with a hideous pattern and jet beads. But the cloak having grown too shabby to wear, Françoise had had it turned, exposing an “inside” of plain cloth and quite a good colour. As for the bird, it had long since come to grief and been discarded. And just as it is disturbing, sometimes, to find the effects which the most conscious artists have to strive for in a folk-song or on the wall of some peasant’s cottage where above the door, at precisely the right spot in the composition, blooms a white or yellow rose—so with the velvet band, the loop of ribbon that would have delighted one in a portrait by Chardin or Whistler, which Françoise had set with simple but unerring taste upon the hat, which was now charming.
To take a parallel from an earlier age, the modesty and integrity which often gave an air of nobility to the face of our old servant having extended also to the clothes which, as a discreet but by no means servile woman, who knew how to hold her own and to keep her place, she had put on for the journey so as to be fit to be seen in our company without at the same time seeming or wishing to make herself conspicuous, Françoise, in the faded cherry-coloured cloth of her coat and the discreet nap of her fur collar, brought to mind one of those miniatures of Anne of Brittany painted in Books of Hours by an old master, in which everything is so exactly in the right place, the sense of the whole is so evenly distributed throughout the parts, that the rich and obsolete singularity of the costume expresses the same pious gravity as the eyes, the lips and the hands.
Of thought, in relation to Françoise, one could hardly speak. She knew nothing, in that absolute sense in which to know nothing means to understand nothing, except the rare truths to which the heart is capable of directly attaining. The vast world of ideas did not exist for her. But when one studied the clearness of her gaze, the delicate lines of the nose and the lips, all those signs lacking from so many cultivated people in whom they would have signified a supreme distinction, the noble detachment of a rare mind, one was disquieted, as one is by the frank, intelligent eyes of a dog, to which