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In Search of Lost Time, Volume II_ Within a Budding Grove - Marcel Proust [283]

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of cream, in the latter a fresh taste of fruit which knew all about Combray, and about Gilberte, not only the Gilberte of Combray but the Gilberte of Paris, at whose tea-parties I had come across them again. They reminded me of those cake-plates with the Arabian Nights pattern, the subjects on which so diverted my aunt Léonie when Françoise brought her up, one day Aladdin and his Wonderful Lamp, another day Ali Baba, or the Sleeper Awakes or Sinbad the Sailor embarking at Bassorah with all his treasures. I should dearly have liked to see them again, but my grandmother did not know what had become of them and thought moreover that they were just common plates that had been bought in the village. No matter, in grey, rustic Combray they were a multi-coloured inset, as in the dark church were the flickering jewels of the stained-glass windows, as in the twilight of my bedroom were the projections cast by the magic lantern, as in front of the railway-station and the little local line the buttercups from the Indies and the Persian lilacs, as was my great-aunt’s collection of old porcelain in the sombre dwelling of an elderly lady in a country town.

Stretched out on the cliff I would see before me nothing but grassy meadows and beyond them not the seven heavens of the Christian cosmogony but two stages only, one of a deeper blue, the sea, and above it another, paler one. We ate our food, and if I had brought with me also some little keepsake which might appeal to one or other of my friends, joy sprang with such sudden violence into their translucent faces, flushed in an instant, that their lips had not the strength to hold it in, and, to allow it to escape, parted in a burst of laughter. They were gathered close round me, and between their faces, which were not far apart, the air that separated them traced azure pathways such as might have been cut by a gardener wishing to create a little space so as to be able himself to move freely through a thicket of roses.

When we had finished eating we would play games which until then I should have thought boring, sometimes such childish games as King of the Castle, or Who Laughs First; not for a kingdom would I have renounced them now; the aurora of adolescence with which the faces of these girls still glowed, and from which I, young as I was, had already emerged, shed its light on everything around them and, like the fluid painting of certain Primitives, brought out in relief the most insignificant details of their daily lives against a golden background. Their faces were for the most part blurred with this misty effulgence of a dawn from which their actual features had not yet emerged. One saw only a charming glow of colour beneath which what in a few years’ time would be a profile was not discernible. The profile of today had nothing definitive about it, and could be only a momentary resemblance to some deceased member of the family to whom nature had paid this commemorative courtesy. It comes so soon, the moment when there is nothing left to wait for, when the body is fixed in an immobility which holds no fresh surprise in store, when one loses all hope on seeing—as on a tree in the height of summer one sees leaves already brown—round a face still young hair that is growing thin or turning grey; it is so short, that radiant morning time, that one comes to like only the very youngest girls, those in whom the flesh, like a precious leaven, is still at work. They are no more than a stream of ductile matter, continuously moulded by the fleeting impression of the moment. It is as though each of them was in turn a little statuette of gaiety, of childish earnestness, of cajolery, of surprise, shaped by an expression frank and complete, but fugitive. This plasticity gives a wealth of variety and charm to the pretty attentions which a young girl pays to us. Of course, such attentions are indispensable in the mature woman also, and one who is not attracted to us, or who does not show that she is attracted to us, tends to assume in our eyes a somewhat tedious uniformity. But even these endearments,

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