In Search of Lost Time, Volume III_ The Guermantes Way - Marcel Proust [210]
I should have liked, before kissing her, to be able to breathe into her anew the mystery which she had had for me on the beach before I knew her, to discover in her the place where she had lived earlier still; in its stead at least, if I knew nothing of it, I could insinuate all the memories of our life at Balbec, the sound of the waves breaking beneath my window, the shouts of the children. But when I let my eyes glide over the charming pink globe of her cheeks, the gently curving surfaces of which expired beneath the first foothills of her beautiful black hair which ran in undulating ridges, thrust out its escarpments, and moulded the hollows and ripples of its valleys, I could not help saying to myself: “Now at last, after failing at Balbec, I am going to discover the fragrance of the secret rose that blooms in Albertine’s cheeks. And, since the cycles through which we are able to make things and people pass in the course of our existence are comparatively few, perhaps I shall be able to consider mine in a certain sense fulfilled when, having taken out of its distant frame the blossoming face that I had chosen from among all others, I shall have brought it onto this new plane, where I shall at last have knowledge of it through my lips.” I told myself this because I believed that there was such a thing as knowledge acquired by the lips; I told myself that I was going to know the taste of this fleshly rose, because I had not stopped to think that man, a creature obviously less rudimentary than the sea-urchin or even the whale, nevertheless lacks a certain number of essential organs, and notably possesses none that will serve for kissing. For this absent organ he substitutes his lips, and thereby arrives perhaps at a slightly more satisfying result than if he were reduced to caressing the beloved with a horny tusk. But a pair of lips, designed to convey to the palate the taste of whatever whets their appetite, must be content, without understanding their mistake or admitting their disappointment, with roaming over the surface and with coming to a halt at the barrier of the impenetrable but irresistible cheek. Moreover at the moment of actual contact with the flesh, the lips, even on the assumption that they might become more expert and better endowed, would doubtless be unable to enjoy any more fully the savour which nature prevents their ever actually grasping, for in that desolate zone in which they are unable to find their proper nourishment they are alone, the sense of sight, then that of smell, having long since deserted them. At first, as my mouth began gradually to approach the cheeks which my eyes had recommended it to kiss, my eyes, in changing position, saw a different pair of cheeks; the neck, observed at closer range and as though through a magnifying-glass, showed in its coarser grain a robustness which modified the character of the face.
Apart from the most recent applications of photography—which huddle at the foot of a cathedral all the houses that so often, from close to, appeared to us to reach almost to the height of the towers, which drill and deploy like a regiment, in file, in extended order, in serried masses, the same monuments, bring together the two columns on the Piazzetta which a moment ago were so far apart, thrust away the adjoining dome of the Salute and in a pale and toneless background manage to include a whole immense horizon within the span of a bridge, in the embrasure of a window, among the leaves of a tree that stands in the foreground and is more vigorous in tone, or frame a single church successively in the arcades of all the others—I can think of nothing that can to so great a degree as a kiss evoke out of what we believed to be a thing with one definite aspect the hundred other things which it may equally well be, since each is related to a no less legitimate perspective. In short, just as at Balbec Albertine had often appeared different to me, so now—as if, prodigiously accelerating the speed of the changes of perspective and changes of colouring which a person presents