In Search of Lost Time, Volume III_ The Guermantes Way - Marcel Proust [242]
As we left the outer hall, I had mentioned to M. de Guermantes that I was extremely anxious to see his Elstirs. “I am at your service. Is M. Elstir a friend of yours, then? I’m mortified not to have known that you were so interested in him. I know him slightly, he’s an amiable man, what our fathers used to call an ‘honest fellow.’ I might have asked him to honour us with his company at dinner tonight. I’m sure he would have been highly flattered at being invited to spend the evening in your company.” Very untrue to the old world when he tried thus to assume its manner, the Duke then relapsed into it unconsciously. After inquiring whether I wished him to show me the pictures, he conducted me to them, gracefully standing aside for me at each door, apologising when, to show me the way, he was obliged to precede me, a little scene which (since the time when Saint-Simon relates that an ancestor of the Guermantes did him the honours of his house with the same punctilious exactitude in the performance of the frivolous duties of a gentleman) before reaching our day must have been enacted by many another Guermantes for many another visitor. And as I had said to the Duke that I would like very much to be left alone for a few minutes with the pictures, he discreetly withdrew, telling me that I should find him in the drawing-room when I had finished.
However, once I was face to face with the Elstirs, I completely forgot about dinner and the time; here again as at Balbec I had before me fragments of that world of new and strange colours which was no more than the projection of that great painter’s peculiar vision, which his speech in no way expressed. The parts of the walls that were covered by paintings of his, all homogeneous with one another, were like the luminous images of a magic lantern which in this instance was the brain of the artist, and the strangeness of which one could never have suspected so long as one had known only the man, in other words so long as one had only seen the lantern boxing its lamp before any coloured slide had been slid into its groove. Among these pictures, some of those that seemed most absurd to people in fashionable society interested me more than the rest because they re-created those optical illusions which prove to us that we should never succeed in identifying objects if we did not bring some process of reasoning to bear on them. How often, when driving, do we not come upon a bright street beginning a few feet away from us, when what we have actually before our eyes is merely a patch of wall glaringly lit which has given us the mirage of depth. This being the case, it is surely logical, not from any artifice of symbolism but from a sincere desire to return to the very root of the impression, to represent one thing by that other for which, in the flash of a first illusion, we mistook it. Surfaces and