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In Search of Lost Time, Volume III_ The Guermantes Way - Marcel Proust [244]

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the most fleeting impression: one felt that the lady would presently go home, the boats drift away, the shadow change place, night begin to fall; that pleasure comes to an end, that life passes and that instants, illuminated by the convergence at one and the same time of so many lights, cannot be recaptured. I recognised yet another aspect, quite different it is true, of what the Moment means, in a series of water-colours of mythological subjects, dating from Elstir’s first period, which also adorned this room. Society people who held “advanced” views on art went “as far as” this earliest manner, but no further. It was certainly not the best work he had done, but already the sincerity with which the subject had been thought out took away its coldness. Thus the Muses, for instance, were represented as though they were creatures belonging to a species now fossilised, but creatures it would not have been surprising in mythological times to see pass by in the evening, in twos or threes, along some mountain path. Here and there a poet, of a race that would also have been of peculiar interest to a zoologist (characterised by a certain sexlessness), strolled with a Muse, as one sees in nature creatures of different but of kindred species consort together. In one of these water-colours one saw a poet exhausted by a long journey in the mountains, whom a Centaur, meeting him and moved to pity by his weakness, has taken on his back and is carrying home. In others, the vast landscape (in which the mythical scene, the fabulous heroes occupied a minute place and seemed almost lost) was rendered, from the mountain tops to the sea, with an exactitude which told one more than the hour, told one to the very minute what time of day it was, thanks to the precise angle of the setting sun and the fleeting fidelity of the shadows. In this way the artist had managed, by making it instantaneous, to give a sort of lived historical reality to the fable, painted it and related it in the past tense.*

While I was examining Elstir’s paintings, the bell, rung by arriving guests, had been pealing uninterruptedly and had lulled me into a pleasing unawareness. But the silence which followed its clangour and had already lasted for some time finally succeeded—less rapidly, it is true—in awakening me from my reverie as the silence that follows Lindor’s music arouses Bartolo from his sleep. I was afraid that I might have been forgotten, that they might already have sat down to dinner, and I hurried to the drawing-room. At the door of the Elstir gallery I found a servant waiting for me, white-haired, though whether with age or powder I could not say, and reminiscent of a Spanish minister, though he treated me with the same respect that he would have shown to a king. I felt from his manner that he would have waited for me for another hour, and I thought with alarm of the delay I had caused in the service of dinner, especially as I had promised to be at M. de Charlus’s by eleven.

It was the Spanish minister (though I also met on the way the footman persecuted by the porter, who, radiant with delight when I inquired after his fiancée, told me that tomorrow was a “day off” for both of them, so that he would be able to spend the whole day with her, and extolled the kindness of Madame la Duchesse) who conducted me to the drawing-room, where I was afraid of finding M. de Guermantes in a bad humour. He welcomed me, on the contrary, with a joy that was obviously to some extent factitious and dictated by politeness, but was in other respects sincere, prompted both by his stomach which so long a delay had begun to famish, and his consciousness of a similar impatience in all his other guests, who completely filled the room. Indeed I learned afterwards that I had kept them waiting for nearly three quarters of an hour. The Duc de Guermantes probably thought that to prolong the general torment for two minutes more would make it no worse and that, politeness having driven him to postpone for so long the moment of moving into the dining-room, this politeness would be more complete

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