In Search of Lost Time, Volume III_ The Guermantes Way - Marcel Proust [258]
It is true that certain Guermantes ladies wrote to you from the first as “My dear friend,” or “Dear friend.” These were not always the most homely among them, but rather those who, living only in the society of kings and being at the same time “of easy virtue,” assumed in their pride the certainty that everything that came from them gave pleasure and in their corruption the habit of not grudging you any of the satisfactions they had to offer. However, since to have had a common great-great-grandmother in the reign of Louis XIII was enough to make a young Guermantes invariably refer to the Marquise de Guermantes as “Aunt Adam,” the Guermantes were so numerous a clan that, even with these simple rites, that for example of the form of greeting adopted on introduction to a stranger, there existed a wide divergence. Each sub-group of any refinement had its own, which was handed down from parents to children like the prescription for a liniment or a special way of making jam. Thus we have seen Saint-Loup’s handshake unleashed as though involuntarily as soon as he heard one’s name, without any participation by his eyes, without the addition of a nod or a bow. Any unfortunate commoner who for a particular reason—which in fact very rarely occurred—was presented to a member of the Saint-Loup sub-group would scratch his head over this abrupt minimum of a greeting, which deliberately assumed the appearance of non-recognition, wondering what in the world the Guermantes—male or female—could have against him. And he was highly surprised to learn that the said Guermantes had thought fit to write specially to the introducer to tell him how delighted he or she had been with the stranger, whom he or she looked forward to meeting again. As characteristic as the mechanical gestures of Saint-Loup were the complicated and rapid capers (which M. de Charlus condemned as ridiculous) of the Marquis de Fierbois, or the grave and measured paces of the Prince de Guermantes. But it is impossible to describe here the richness of this Guermantes choreography because of the sheer extent of the corps de ballet.
To return to the antipathy which animated the Courvoisiers against the Duchesse de Guermantes, the former might have had the consolation of feeling sorry for her so long as she was still unmarried, for she was then of comparatively slender means. Unfortunately, at all times and seasons, a sort of fuliginous emanation, quite sui generis, enveloped and concealed from view the wealth of the Courvoisiers which, however great it might be, remained obscure. In vain might a young Courvoisier with an enormous dowry find a most eligible bridegroom; it invariably happened that the young couple had no house of their own in Paris, would “descend