Online Book Reader

Home Category

In Search of Lost Time, Volume III_ The Guermantes Way - Marcel Proust [39]

By Root 1634 0
ground, where there’s a show just starting; you’ll find it beastly crowded. No, you’d better go to the Hôtel de Flandre; it’s a little eighteenth-century palace with old tapestries. It’s quite the (ça fait assez) ‘old historical dwelling.’ ”

Saint-Loup employed in every connexion the verb faire for “have the air of,” because the spoken language, like the written, feels from time to time the need of these alterations in the meanings of words, these refinements of expression. And just as journalists often have not the least idea what school of literature the “turns of phrase” they use originate from, so the vocabulary, the very diction of Saint-Loup were formed in imitation of three different aesthetes none of whom he knew but whose modes of speech had been indirectly inculcated into him. “Besides,” he concluded, “the hotel I mean is more or less adapted to your auditory hyperaesthesia. You will have no neighbours. I quite see that it’s a slender advantage, and as, after all, another guest may arrive tomorrow, it would not be worth your while to choose that particular hotel on such precarious grounds. No, it’s for its appearance that I recommend it. The rooms are rather attractive, all the furniture is old and comfortable; there’s something reassuring about it.” But to me, less of an artist than Saint-Loup, the pleasure that an attractive house might give one was superficial, almost non-existent, and could not calm my incipient anguish, as painful as that which I used to feel long ago at Combray when my mother did not come upstairs to say good night, or that which I felt on the evening of my arrival at Balbec in the room with the unnaturally high ceiling, which smelt of vetiver. Saint-Loup read all this in my fixed stare.

“A lot you care, though, about this charming palace, my poor fellow; you’re quite pale; and here am I like a great brute talking to you about tapestries which you won’t even have the heart to look at. I know the room they’ll put you in; personally I find it most cheerful, but I can quite understand that it won’t have the same effect on you with your sensitive nature. You mustn’t think I don’t understand you. I don’t feel the same myself, but I can put myself in your place.”

At that moment a sergeant who was exercising a horse on the square, entirely absorbed in making the animal jump, disregarding the salutes of passing troopers, but hurling volleys of oaths at such as got in his way, turned with a smile to Saint-Loup and, seeing that he had a friend with him, saluted us. But his horse, frothing, at once reared. Saint-Loup flung himself at its head, caught it by the bridle, succeeded in quieting it and returned to my side.

“Yes,” he resumed, “I assure you that I fully understand and sympathise with what you are going through. I feel wretched,” he went on, laying his hand affectionately on my shoulder, “when I think that if I could have stayed with you tonight, I might have been able, by chatting to you till morning, to relieve you of a little of your unhappiness. I could lend you some books, but you won’t want to read if you’re feeling like that. And I shan’t be able to get anyone else to stand in for me here: I’ve done it twice running because my girl came down to see me.”

And he knitted his brows with vexation and also in the effort to decide, like a doctor, what remedy he might best apply to my disease.

“Run along and light the fire in my quarters,” he called to a trooper who passed by. “Hurry up; get a move on!”

Then, once more, he turned towards me, and once more his monocle and his peering, myopic gaze testified to our great friendship.

“No, really, you here, in these barracks where I’ve thought so much about you, I can scarcely believe my eyes, I feel I must be dreaming! But how is your health on the whole? A little better, I hope. You must tell me all about yourself presently. We’ll go up to my room; we mustn’t hang about too long on the square, there’s the devil of a wind. I don’t feel it now myself, but you aren’t accustomed to it, I’m afraid of your catching cold. And what about your work?

Return Main Page Previous Page Next Page

®Online Book Reader