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In Search of Lost Time, Volume III_ The Guermantes Way - Marcel Proust [80]

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will be his tottering steps, his precautions to avoid falling on his back, the parabola of his fall, as though he were drunk or the ground covered in ice. So it is when some cruel trick of chance prevents our intelligent and pious tenderness from coming forward in time to hide from our eyes what they ought never to behold, when it is forestalled by our eyes, and they, arriving first in the field and having it to themselves, set to work mechanically, like films, and show us, in place of the beloved person who has long ago ceased to exist but whose death our tenderness has always hitherto kept concealed from us, the new person whom a hundred times daily it has clothed with a loving and mendacious likeness. And—like a sick man who, not having looked at his own reflexion for a long time, and regularly composing the features which he never sees in accordance with the ideal image of himself that he carries in his mind, recoils on catching sight in the glass, in the middle of an arid desert of a face, of the sloping pink protuberance of a nose as huge as one of the pyramids of Egypt—I, for whom my grandmother was still myself, I who had never seen her save in my own soul, always in the same place in the past, through the transparency of contiguous and overlapping memories, suddenly, in our drawing-room which formed part of a new world, that of Time, that which is inhabited by the strangers of whom we say “He’s begun to age a good deal,” for the first time and for a moment only, since she vanished very quickly, I saw, sitting on the sofa beneath the lamp, red-faced, heavy and vulgar, sick, day-dreaming, letting her slightly crazed eyes wander over a book, an overburdened old woman whom I did not know.

My request to be allowed to inspect the Elstirs in Mme de Guermantes’s collection had been met by Saint-Loup with: “I’ll answer for her.” And indeed, unfortunately, it was he and he alone who did answer. We answer readily enough for other people when, setting our mental stage with the little puppets that represent them, we manipulate these to suit our fancy. No doubt even then we take into account the difficulties due to another person’s nature being different from our own, and we do not fail to appeal to motives with the power to influence that nature—self-interest, persuasion, emotion—which will neutralise any contrary tendencies. But it is still our own nature which imagines these divergences from our nature; it is we who remove these difficulties; it is we who measure these compelling motives. And when we wish to see the other person perform in real life the actions which in our mind’s eye we have made him rehearse, the case is altered, we come up against unseen resistances which may prove insuperable. One of the strongest is doubtless that which may be developed in a woman who does not love, by the rank and unconquerable repulsion she feels for the man who loves her: during the long weeks in which Saint-Loup still did not come to Paris, his aunt, to whom I had no doubt of his having written begging her to do so, never once asked me to call at her house to see the Elstirs.

I perceived signs of coldness on the part of another occupant of the building. This was Jupien. Did he consider that I ought to have gone in and said good-day to him, on my return from Doncières, before even going upstairs to our own flat? My mother said that it was nothing to be surprised about. Françoise had told her that he was like that, subject to sudden fits of ill-humour, without any cause. These invariably passed off after a while.

Meanwhile the winter was drawing to an end. One morning, after several weeks of showers and storms, I heard in my chimney—instead of the formless, elastic, sombre wind which stirred in me a longing to go to the sea—the cooing of the pigeons, nesting in the wall outside; shimmering and unexpected like a first hyacinth gently tearing open its nutritious heart to release its flower of sound, mauve and satin-soft, letting into my still dark and shuttered bedroom as through an opened window the warmth, the brightness, the fatigue

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