be cornered, would flee with a rapidity which always made my father and me laugh at her. Mme de Cambremer carried in her hand, together with the handle of a sunshade, a number of embroidered bags, a hold-all, a gold purse from which there dangled strings of garnets, and a lace handkerchief. I could not help thinking that it would be more convenient for her to deposit them on a chair; but I felt that it would be improper and useless to ask her to lay aside the ornaments of her pastoral round and her social ministry. We gazed at the calm sea upon which, here and there, a few gulls floated like white petals. Because of the level of mere “medium” to which social conversation reduces us, and also of our desire to please not by means of those qualities of which we are ourselves unaware but of those which we think likely to be appreciated by the people who are with us, I began instinctively to talk to Mme de Cambremer née Legrandin in the strain in which her brother might have talked. “They have,” I said, referring to the gulls, “the immobility and whiteness of water-lilies.” And indeed they did appear to be offering a lifeless object to the little waves which tossed them about, so much so that the waves, by contrast, seemed in their pursuit of them to be animated by a deliberate intention, to have become imbued with life. The dowager Marquise could not find words enough to do justice to the superb view of the sea that we had from Balbec, and envied me, since from La Raspelière (where in fact she was not living that year), she had only such a distant glimpse of the waves. She had two remarkable habits, due at once to her exalted passion for the arts (especially for music) and to her want of teeth. Whenever she talked of aesthetic subjects her salivary glands—like those of certain animals when in rut—became so overcharged that the old lady’s toothless mouth allowed to trickle from the corners of her faintly mustachioed lips a few drops of misplaced moisture. Immediately she drew it in again with a deep sigh, like a person recovering his breath. Secondly, if some overwhelming musical beauty was at issue, in her enthusiasm she would raise her arms and utter a few summary opinions, vigorously masticated and if necessary issuing from her nose. Now it had never occurred to me that the vulgar beach at Balbec could indeed offer a “seascape,” and Mme de Cambremer’s simple words changed my ideas in that respect. On the other hand, as I told her, I had always heard people praise the matchless view from La Raspelière, perched on the summit of the hill, where, in a great drawing-room with two fireplaces, one whole row of windows swept the gardens and, through the branches of the trees, the sea as far as Balbec and beyond, and another row the valley. “How nice of you to say so, and how well you put it: the sea through the branches. It’s exquisite—reminiscent of . . . a painted fan.” And I gathered, from a deep breath intended to catch the falling spittle and dry the moustaches, that the compliment was sincere. But the Marquise née Legrandin remained cold, to show her contempt not for my words but for those of her mother-in-law. Indeed she not only despised the latter’s intellect but deplored her affability, being always afraid that people might not form a sufficiently high idea of the Cambremers.
“And how charming the name is,” said I. “One would like to know the origin of all those names.”
“That one I can tell you,” the old lady answered modestly. “It is a family place, it came from my grandmother Arrachepel, not an illustrious family, but good and very old country stock.”
“What! not illustrious!” her daughter-in-law tartly interrupted her. “A whole window in Bayeux cathedral is filled with their arms, and the principal church at Avranches has all their tombs. If these old names interest you,” she added, “you’ve come a year too late. We managed to appoint to the living at Criquetot, in spite of all the difficulties about changing from one diocese to another, the parish priest of a place where I myself have some land, a long way from here,