In Search of Lost Time, Volume IV_ Sodom and Gomorrah - Marcel Proust [21]
Although, in spite of everything—remembering his cousin Gilbert’s maternal ancestry—the Duc de Guermantes affected to find a touch of Courvoisier in the drawing-room of the Princesse de Guermantes-Bavière, the general estimate of that lady’s social initiative and intellectual superiority was based upon an innovation that was to be found nowhere else in these circles. After dinner, however important the party that was to follow, the chairs at the Princesse de Guermantes’s were arranged in such a way as to form little groups whose backs were necessarily sometimes turned on one another. The Princess then displayed her social sense by going to sit down, as though by preference, in one of these. She did not however hesitate to pick out and draw into it a member of another group. If, for instance, she had remarked to M. Detaille, who had naturally agreed with her, on the beauty of Mme de Villemur’s neck, of which that lady’s position in another group made her present a back view, the Princess had no hesitation in raising her voice: “Madame de Villemur, M. Detaille, wonderful painter that he is, has just been admiring your neck.” Mme de Villemur interpreted this as a direct invitation to join in the conversation; with the agility of a practised horsewoman, she would swivel round slowly in her chair through three quadrants of a circle, and, without in any way disturbing her neighbours, come to rest almost facing the Princess. “You don’t know M. Detaille?” exclaimed their hostess, for whom her guest’s skilful and discreet about-face was not enough. “I don’t know him, but I know his work,” Mme de Villemur would reply with a respectful and winning air and an aptness which many of the onlookers envied her, addressing the while an imperceptible bow to the celebrated painter whom this invocation had not been sufficient to introduce to her in a formal manner. “Come, Monsieur Detaille,” said the Princess, “let me introduce you to Mme de Villemur.” That lady thereupon showed as much ingenuity in making room for the creator of the Dream as she had shown a moment earlier in wheeling round to face him. And the Princess would draw forward a chair for herself, having in fact addressed Mme de Villemur only in order to have an excuse for leaving the first group, in which she had spent the statutory ten minutes, and bestow a similar allowance of her time upon the second. In three quarters of an hour, all the groups would have received a visit from her, which seemed to have been determined in each instance by impulse and predilection, but had the paramount object of making it apparent how naturally “a great lady knows how to entertain.” But now the guests for the reception were beginning to arrive and the lady of the house was seated not far from the door—erect and proud in her quasi-regal majesty, her eyes ablaze with their own incandescence—between two unattractive highnesses and the Spanish Ambassadress.
I stood waiting behind a number of guests who had arrived before me. Facing me was the Princess, whose beauty is probably not the only thing, among so many other beauties, that reminds me of this party. But the face of my hostess was so perfect,