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In Search of Lost Time, Volume IV_ Sodom and Gomorrah - Marcel Proust [231]

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of excursions in the course of which her guests, forced into carriages, were conveyed willy-nilly to look at one or other of the beauty spots that abound in the neighbourhood of Douville. This second part of the entertainment was, as it happened (once the effort to get up and climb into a carriage had been made), no less satisfying than the other to the guests, already conditioned by the succulent dishes, the vintage wines or sparkling cider to be easily intoxicated by the purity of the breeze and the magnificence of the sights. Mme Verdurin used to show these to visitors rather as though they were annexes (more or less detached) of her property, which you could not help going to see if you came to lunch with her and which conversely you would never have known had you not been entertained by the Mistress. This claim to arrogate to herself the exclusive right over the local sights, as over Morel’s and formerly Dechambre’s playing, and to compel the landscapes to form part of the little clan, was not in fact as absurd as it appears at first sight. Mme Verdurin deplored not only the lack of taste which in her opinion the Cambremers showed in the furnishing of La Raspelière and the arrangement of the garden, but also the excursions they made, with or without their guests, in the surrounding countryside. Just as, according to her, La Raspelière was only beginning to become what it should always have been now that it was the asylum of the little clan, so she insisted that the Cambremers, perpetually exploring in their barouche, along the railway line, by the shore, the one ugly road in the district, had been living in the place all their lives but did not know it. There was a grain of truth in this assertion. From force of habit, lack of imagination, want of interest in a country which seemed hackneyed because it was so near, the Cambremers when they left their home went always to the same places and by the same roads. To be sure, they laughed heartily at the Verdurins’ pretensions to teach them about their own countryside. But if they were driven into a corner they and even their coachman would have been incapable of taking us to the splendid, more or less secret places to which M. Verdurin brought us, now breaking through the fence of a private but deserted property into which other people would not have thought it possible to venture, now leaving the carriage to follow a path which was not wide enough for wheeled traffic, but in either case with the certain recompense of a marvellous view. It must also be said that the garden at La Raspelière was in a sense a compendium of all the excursions to be made in a radius of many miles—in the first place because of its commanding position, overlooking on one side the valley, on the other the sea, and also because, on one and the same side, the seaward side for instance, clearings had been made through the trees in such a way that from one point you embraced one horizon, from another a different one. There was at each of these vantage points a bench; you went and sat down in turn upon the bench from which there was the view of Balbec, or Parville, or Douville. Even to command a single direction, one bench would have been placed more or less on the edge of the cliff, another set back. From the latter you had a foreground of verdure and a horizon which seemed already the vastest imaginable, but which became infinitely larger if, continuing along a little path, you went to the next bench from which you embraced the whole amphitheatre of the sea. There you could catch distinctly the sound of the waves, which did not penetrate to the more secluded parts of the garden, where the sea was still visible but no longer audible. These resting-places were known by the occupants of La Raspelière by the name of “views.” And indeed they assembled round the château the finest views of the neighbouring villages, beaches or forests, seen greatly diminished by distance, as Hadrian collected in his villa reduced models of the most famous monuments of different regions. The name that followed the word “view
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