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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [101]

By Root 1802 0
holds in one’s hands, unable to get rid of it without committing a crime. But one has only to compare this with the ups and downs, the dangers, the anxieties, the fear that false but probable things will come to be believed when we will no longer be able to explain them—feelings that one experiences if one lives on intimate terms with a madman. For instance, I pitied M. de Charlus for living with Morel (immediately the memory of the scene that afternoon made me feel that the left side of my chest was heavier than the other); leaving aside the relations that may or may not have existed between them, M. de Charlus must have been unaware at the outset that Morel was mad. Morel’s beauty, his stupidity, his pride must have deterred the Baron from exploring so deeply, until the days of melancholia when Morel accused M. de Charlus of responsibility for his sorrows, without being able to furnish any explanation, abused him for his want of trust with the help of false but extremely subtle arguments, threatened him with desperate resolutions in the midst of which there persisted the most cunning regard for his own most immediate interests. But all this is only a comparison. Albertine was not mad.

To make her chains appear lighter, the clever thing seemed to me to be to make her believe that I myself was about to break them. But I could not confide this mendacious plan to her at that moment, since she had returned so sweetly from the Trocadéro that afternoon; the most I could do, far from distressing her with the threat of a rupture, was to keep to myself those dreams of a perpetual life together which my grateful heart had formed. As I looked at her, I found it hard to restrain myself from pouring them out to her, and she may perhaps have noticed this. Unfortunately the expression of such feelings is not contagious. The case of an affected old woman like M. de Charlus who, by dint of never seeing in his imagination anything but a proud young man, thinks that he has himself become a proud young man, all the more so the more affected and ridiculous he becomes—this case is more general, and it is the misfortune of an impassioned lover not to realise that while he sees in front of him a beautiful face, his mistress is seeing his face, which is not made any more beautiful, far from it, when it is distorted by the pleasure that is aroused in it by the sight of beauty. Nor indeed does love exhaust the generality of this case; we do not see our own bodies, which other people see, and we “follow” our own train of thought, the object, invisible to other people, which is before our eyes. At times the artist reveals this object in his work. Whence it arises that the admirers of that work are disappointed in its author, on whose face that inner beauty is imperfectly reflected.

Retaining from my dream of Venice only what could concern Albertine and sweeten the time she spent in my house, I mentioned a Fortuny gown which we ought to go and order one of these days. I was looking for new pleasures with which to distract her. I would have liked to surprise her with a gift of old French silver, had it been possible to find any. As a matter of fact, when we had planned to acquire a yacht, a plan judged unrealisable by Albertine—and by me whenever I thought her virtuous and life with her began to appear as financially ruinous as marriage to her seemed impossible—we had, though without her believing I would buy one, asked advice from Elstir.

I learned that a death had occurred that day which distressed me greatly—that of Bergotte. It was known that he had been ill for a long time past. Not, of course, with the illness from which he had suffered originally and which was natural. Nature scarcely seems capable of giving us any but quite short illnesses. But medicine has developed the art of prolonging them. Remedies, the respite that they procure, the relapses that a temporary cessation of them provokes, produce a simulacrum of illness to which the patient grows so accustomed that he ends by stabilising it, stylising it, just as children have regular fits

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