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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [226]

By Root 1964 0
relapse that had been caused by my discovery of the reasons on account of which Albertine, at a few hours’ interval, had been determined not to leave, and then to leave Balbec immediately; I must allow time for the symptoms to disappear, since they could only go on diminishing if I learned nothing new, but were still too acute not to render more painful, more difficult, a process of separation now recognised as inevitable, but in no sense urgent, and one that would be better performed in “cold blood.” I could control the choice of moment, for if she decided to leave me before I had made up my mind, as soon as she informed me that she had had enough of this life, there would always be time enough for me to think up some way of countering her arguments, to offer her a larger freedom, to promise her some great pleasure in the near future which she herself would be anxious not to miss, and at worst, if I could find no other recourse but to appeal to her heart, to confess my anguish to her. My mind was therefore at rest from this point of view though I was not being very logical with myself. For, though the basis of this hypothesis was that I precisely disregarded what she said or intimated, I was assuming that, when the question of her leaving arose, she would give me her reasons beforehand, would allow me to resist and overcome them.

I felt that my life with Albertine was on the one hand, when I was not jealous, nothing but boredom, and on the other hand, when I was jealous, nothing but pain. If there had been any happiness in it, it could not last. In the same spirit of wisdom which had inspired me at Balbec, on the evening when we had been happy together after Mme de Cambremer’s visit, I wanted to leave her, because I knew that by carrying on I should gain nothing. Only, even now, I imagined that the memory that I retained of her would be like a sort of vibration, prolonged by a pedal, of the last moment of our parting. Hence I was anxious to choose a moment of sweetness, so that it might be it that continued to vibrate in me. I must not be too particular, and wait too long, I must be sensible. And yet, having waited so long, it would be madness not to wait a few days longer, until an acceptable moment should offer itself, rather than risk seeing her depart with that same sense of revolt which I had felt in the past when Mamma left my bedside without bidding me good-night, or when she said good-bye to me at the station. To be on the safe side, I heaped more and more presents on her. As regards the Fortuny gowns, we had at length decided upon one in blue and gold lined with pink which was just ready. And I had ordered all the same the other five which she had relinquished with regret in favour of this one.

Yet with the coming of spring, two months after her aunt’s conversation with me, I lost my temper with her one evening. It was the very evening on which Albertine had put on for the first time the indoor gown in gold and blue by Fortuny which, by reminding me of Venice, made me feel all the more strongly what I was sacrificing for her, who showed no corresponding gratitude towards me. If I had never seen Venice, I had dreamed of it incessantly since those Easter holidays which, when still a boy, I had been going to spend there, and earlier still, since the Titian prints and Giotto photographs which Swann had given me long ago at Combray. The Fortuny gown which Albertine was wearing that evening seemed to me the tempting phantom of that invisible Venice. It was overrun by Arab ornamentation, like Venice, like the Venetian palaces hidden like sultan’s wives behind a screen of perforated stone, like the bindings in the Ambrosian Library, like the columns from which the oriental birds that symbolised alternatively life and death were repeated in the shimmering fabric, of an intense blue which, as my eyes drew nearer, turned into a malleable gold by those same transmutations which, before an advancing gondola, change into gleaming metal the azure of the Grand Canal. And the sleeves were lined with a cherry pink which is so

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