In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [250]
At last I had found the photograph. “She’s bound to be wonderful,” Robert was still saying, not yet having seen that I was holding out the photograph to him. All at once he caught sight of it, and held it for a moment between his hands. His face expressed a stupefaction which amounted to stupidity. “Is this the girl you love?” he said at length in a tone in which astonishment was curbed by his fear of offending me. He made no comment, but he had assumed the reasonable, prudent, unavoidably somewhat disdainful air which one assumes in front of a sick person—even if he is a man of outstanding gifts, and your friend—who is now nothing of the sort, for, raving mad, he speaks to you of a celestial being who has appeared to him, and continues to behold this being where you, being sane, can see nothing but a quilt on the bed. I at once understood Robert’s astonishment, realising that it was the same as that which the sight of his mistress had provoked in me, the only difference being that I had recognised in her a woman whom I already knew, where he imagined that he had never seen Albertine. But no doubt the difference between our respective impressions of the same person was equally great. The time was long past when I had all too tentatively begun at Balbec by adding to my visual sensations when I gazed at Albertine sensations of taste, of smell, of touch. Since then, other more profound, more tender, more indefinable sensations had been added to them, and afterwards painful sensations. In short, Albertine was merely, like a stone round which snow has gathered, the generating centre of an immense structure which rose above the plane of my heart. Robert, to whom all this stratification of sensations was invisible, grasped only a residue which it prevented me, on the contrary, from perceiving. What had struck Robert when his eyes fell upon Albertine’s photograph was not the thrill of wonderment that overcame the Trojan elders seeing Helen go by and saying:
One single glance from her eclipses all our ills25
but precisely the opposite impression which may be expressed by: “What, it’s for this that he has worked himself into such a state, has grieved himself so, has done so many idiotic things!” It must indeed be admitted that this sort of reaction at the sight of the person who has caused the suffering, upset the life, sometimes brought about the death of someone we love, is infinitely more frequent than that of the Trojan elders, indeed to all intents and purposes the habitual one. This is not merely because love is individual, nor because, when we ourselves do not feel it, finding it avoidable and philosophising about the folly of others comes naturally to us. No, it is because, when it has reached the stage at which it causes such misery, the edifice of the sensations interposed between the face of the woman and the eyes of her lover—the huge egg of pain which encases it and conceals it as a mantle of snow conceals a fountain—is already raised so high that the point at which the lover’s gaze comes to rest, the point at which he finds his pleasure and his sufferings, is as far from the point which other people see as is the real sun from the place in which its refracted light enables us to see it in the sky. And what is more, during this time, beneath the chrysalis of grief and tenderness which renders the worst metamorphoses of the beloved object invisible to the lover, her face has had time to grow old and to change. With the result that, if the face which the lover saw for the first time is very far removed from that which he has seen since he has loved and suffered, it is, in the opposite sense, equally far from the face