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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [302]

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that I learned about her. And the pain that the revelation of her vice had thus driven into me to such a depth was to render me, much later, a final service. Like the harm that I had done my grandmother, the harm that Albertine had done me was a last bond between her and myself which outlived memory even, for with the conservation of energy which belongs to everything that is physical, suffering has no need of the lessons of memory. Thus a man who has forgotten the glorious nights spent by moonlight in the woods, suffers still from the rheumatism which he then contracted.

Those tastes which she had denied but which were hers, those tastes the discovery of which had come to me not by a cold process of reasoning but in the burning anguish I had felt on reading the words “Oh, it’s too heavenly,” an anguish that gave them a qualitative distinction, those tastes were not merely added to the image of Albertine as the new shell which it drags after it is affixed to the hermit crab, but rather as a salt which, coming in contact with another salt, alters not only its colour but its nature. When the laundry-girl must have said to her friends, “Just fancy, I’d never have believed it, but the young lady is one too,” to me it was not merely a vice hitherto unsuspected by them that they added to Albertine’s person, but the discovery that she was another person, a person like themselves, speaking the same language, and this, by making her the compatriot of others, made her even more alien to myself, proved that what I had possessed of her, what I carried in my heart, was only quite a small part of her, and that the rest, which was made so extensive by not being merely that thing which is already mysteriously important enough, an individual desire, but being shared with others, she had always concealed from me, had kept me away from, as a woman might conceal from me that she was a native of an enemy country and a spy, and far more treacherously even than a spy, for the latter deceives us only as to her nationality, whereas Albertine had deceived me as to her profoundest humanity, the fact that she did not belong to ordinary humankind, but to an alien race which moves among it, hides itself among it and never merges with it. I had as it happened seen two paintings by Elstir showing naked women in a thickly wooded landscape. In one of them, a girl is raising her foot as Albertine must have raised hers when she offered it to the laundress. With her other foot she is pushing into the water another girl who gaily resists, her thigh raised, her foot barely dipping into the blue water. I remembered now that the raised thigh made the same swan’s-neck curve with the angle of the knee as was made by the line of Albertine’s thigh when she was lying by my side on the bed, and I had often meant to tell her that she reminded me of those paintings. But I had refrained from doing so, for fear of awakening in her mind the image of naked female bodies. Now I saw her, side by side with the laundry-girl and her friends, recomposing the group which I had so loved when I was sitting among Albertine’s friends at Balbec. And if I had been an art-lover responsive to beauty alone, I should have recognised that Albertine recomposed it a thousand times more ravishingly, now that its elements were the nude statues of goddesses like those which the great sculptors scattered among the groves of Versailles or arrayed round the fountains to be washed and polished by the caresses of their waters. Now, beside the laundry-girl, I saw her, a girl at the water’s edge, in their twofold nudity of marble statues in the midst of a grove of vegetation and dipping into the water like aquatic bas-reliefs. Remembering Albertine as she lay on my bed, I seemed to see the curve of her thigh, I saw it as a swan’s neck, seeking the other girl’s mouth. Then I no longer even saw a thigh, but simply the bold neck of a swan, like the one in a stirring sketch seeking the mouth of a Leda who is seen in all the specific palpitation of feminine pleasure, because there is no one else with her but

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