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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [308]

By Root 1827 0
But at the same time, because it would be less painful, the objections against my certainty of her guilt, which were inspired in my mind only by my desire not to suffer too acutely, would collapse one by one; and, one action precipitating another, I should pass quickly enough from the certainty of Albertine’s innocence to the certainty of her guilt. I had to live with the idea of Albertine’s death, with the idea of her misdeeds, in order for these ideas to become habitual, that is to say in order to be able to forget these ideas and in the end forget Albertine herself.

I had not yet reached this stage. At one time it was my memory, made clearer by some intellectual excitement—such as reading a book—which revived my grief; at other times it was on the contrary my grief—when it was aroused, for instance, by the anguish of a spell of stormy weather—which raised higher, brought nearer to the light, some memory of our love. Moreover these revivals of my love for Albertine might occur after an interval of indifference interspersed with other curiosities, as, after the long interval which had begun with her refusal to let me kiss her at Balbec and during which I had thought far more about Mme de Guermantes, about Andrée, about Mlle de Stermaria, it had revived when I had started seeing her regularly again. But even now various preoccupations could bring about a separation—from a dead woman, this time—in which she left me more indifferent. All this for the same reason, that she was a living person for me. And even later on, when I loved her less, it remained nevertheless for me one of those desires of which we quickly tire, but which revive when we have allowed them to lie dormant for a while. I pursued one living woman, then another, then I returned to my dead one. Often it was in the most obscure recesses of myself, when I could no longer form any clear idea of Albertine, that a name would come by chance to stimulate painful reactions which I supposed to be no longer possible, like those dying people whose brain is no longer capable of thought and who are made to contract their muscles by the prick of a needle. And, during long periods, these stimulations occurred to me so rarely that I was driven to seek for myself occasions for grief, for a pang of jealousy, in an attempt to re-establish contact with the past, to remember her better. For, since regret for a woman is only a recrudescence of love and remains subject to the same laws, the keenness of my regret was intensified by the same causes which in Albertine’s lifetime had increased my love for her and in the front rank of which had always appeared jealousy and grief. But as a rule these occasions—for an illness or a war can always last far longer than the most prophetic wisdom has calculated—took me unawares and caused me such violent shocks that I thought far more of protecting myself against suffering than of appealing to them for a memory.

Moreover a word did not even need to be connected, like “Chaumont,” with some suspicion (even a syllable common to two different names was sufficient for my memory—as for an electrician who is happy with any substance that is a good conductor—to restore the contact between Albertine and my heart) in order to reawaken that suspicion, to be the password, the “Open sesame” unlocking the door of a past which one had ceased to take into account because, having seen more than enough of it, literally one no longer possessed it; one had been shorn of it, had supposed that by this subtraction one’s own personality had changed its form, like a geometrical figure which by the removal of an angle would lose one of its sides; certain phrases, for instance, in which there occurred the name of a street or a road where Albertine might have been, were sufficient to incarnate a potential, non-existent jealousy, in quest of a body, a dwelling, some physical location, some particular realisation.

Often it was simply during my sleep that these “reprises,” these “da capos” of one’s dreams, which turn back several pages of one’s memory, several leaves of

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