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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [311]

By Root 1962 0
over her cheeks; I thought of new possibilities of happiness, towards which I sprang, saying to myself: “We might have gone on together to Infreville, to Doncières.” There was no watering-place in the neighbourhood of Balbec in which I did not see her, with the result that that country, like a mythological land which had been preserved, restored to me, living and cruel, the most ancient, the most charming legends, those that had been most obliterated by the sequel of my love. Ah, what anguish were I ever to have to sleep again in that bed at Balbec around whose brass frame, as around an immovable pivot, a fixed bar, my life had moved and evolved, bringing successively into its compass gay conversations with my grandmother, the nightmare of her death, Albertine’s soothing caresses, the discovery of her vice, and now a new life into which, looking at the glazed bookcases in which the sea was reflected, I knew that Albertine would never come again! Was it not, that Balbec hotel, like the single set of a provincial theatre, in which for years past the most diverse plays have been performed, which has served for a comedy, for first one tragedy, then another, for a purely poetical drama, that hotel which already stretched quite far back into my past? The fact that this part alone, with its walls, its bookcases, its mirror, remained invariably the same throughout new epochs of my life, made me better aware that all in all it was the rest, it was myself, that had changed, and thus gave me that impression that the mysteries of life, of love, of death—which in their optimism children believe they have no share in—are not set apart, but one perceives with sorrowful pride that they have formed an integral part of one’s own life through the course of the years.

I tried at times to take an interest in the newspapers. But I found the act of reading them repellent, and moreover by no means innocuous. The fact is that from each of our ideas, as from a crossroads in a forest, so many paths branch off in different directions that at the moment when I least expected it I found myself faced by a fresh memory. The title of Fauré’s melody Le Secret had led me to the Duc de Broglie’s Secret du Roi, the name Broglie to that of Chaumont;26 or else the words “Good Friday” had made me think of Golgotha, Golgotha of the etymology of the word which is, it seems, the equivalent of Calvus Mons, Chaumont. But, whatever the path by which I had arrived at Chaumont, at that moment I received so violent a shock that I was far more concerned to ward off pain than to probe for memories. Some moments after the shock, my intelligence, which like the sound of thunder travels less rapidly, produced the reason for it. Chaumont had made me think of the Buttes-Chaumont, where Mme Bontemps had told me that Andrée used often to go with Albertine, whereas Albertine had told me that she had never seen the Buttes-Chaumont. After a certain age our memories are so intertwined with one another that what we are thinking of, the book we are reading, scarcely matters any more. We have put something of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries no less precious than in Pascal’s Pensées in an advertisement for soap.

No doubt a fact such as the one about the Buttes-Chaumont, which at the time had appeared to me trifling, was in itself far less serious, far less decisive evidence against Albertine than the story of the bath-attendant or the laundry-girl. But in the first place, a memory which comes to us fortuitously finds in us an intact capacity for imagining, that is to say in this case for suffering, which we would have partly used up had it been, on the contrary, we who had deliberately applied our mind to recreating a memory. And then to these latter memories (those that concerned the bath-attendant and the laundry-girl), ever present albeit obscured in my consciousness, like the furniture placed in the semi-darkness of a gallery which, without being able to see, one avoids knocking into, I had grown accustomed. Whereas

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