In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [390]
Thus there proceeded in our dining-room, in the lamplight that is so congenial to them, one of those long chats in which the wisdom not of nations but of families, taking hold of some event, a death, a betrothal, an inheritance, a bankruptcy, and slipping it under the magnifying glass of memory, brings it into high relief, detaches, thrusts back, and places in perspective at different points in space and time things which to those who have not lived through it seem to be juxtaposed on a single plane, the names of the deceased, successive addresses, the origins of a fortune and its vicissitudes, transfers of property. It is the wisdom inspired by the Muse whom it is best to ignore for as long as possible if we wish to retain some freshness of impressions, some creative power, but whom even those who have ignored her meet in the evening of their lives in the nave of an old country church, at a point when suddenly they feel less susceptible to the eternal beauty expressed in the carvings on the altar than to the thought of the vicissitudes of fortune which those carvings have undergone, passing into a famous private collection or a chapel, from there to a museum, then returning at length to the church, or to the feeling that as they walk around it they may be treading upon a flagstone almost endowed with thought, which is made of the ashes of Arnauld or Pascal, or simply to deciphering (forming perhaps a mental picture of a fresh-faced country girl) on the brass plate of the wooden prie-dieu the names of the daughters of the squire or the notable—the Muse who has gathered up everything that the more exalted Muses of philosophy and art have rejected, everything that is not founded upon truth, everything that is merely contingent, but that reveals other laws as well: the Muse of History.
Some old friends of my mother, who belonged more or less to Combray, came to see her to discuss Gilberte’s marriage, which did not dazzle them in the least. “You know who Mlle de Forcheville is, she’s simply Mlle Swann. And her witness at the marriage, the ‘Baron’ de Charlus, as he calls himself, is the old man who used to keep her mother at one time, under Swann’s very nose, and no doubt to his advantage.” “But what do you mean?” my mother protested; “in the first place, Swann was extremely rich.” “One must assume that he wasn’t as rich as all that if he needed other people’s money. But what is there about that woman, that she hangs on to her old lovers like that? She managed to persuade the first to marry her, then the third, and she drags out the second when he has one foot in the grave to get him to be a witness at the marriage of the daughter she had by the first or by someone else—for how is one to tell who the father was? She can’t be certain herself! I said the third, but I should have said the three hundredth. Mind you, even if the girl’s no more a Forcheville than you or I, that puts her on the same level as the bridegroom who of course isn’t noble at all. You can imagine that only an adventurer would marry a girl like that. It appears he’s just a plain Monsieur Dupont or Durand or something. If it weren’t that we have a Radical mayor now at Combray, who doesn’t even lift his hat to the priest, I should know all about it. Because, you understand, when they published the banns, they were obliged to give the real name. It’s all very nice, for the newspapers or for the stationer who sends out the invitations, to describe yourself as the Marquis de Saint-Loup. That does no harm to anyone, and if it can give any pleasure to those worthy people, I should be the last person in the world to object! What harm can it do me? As I shall never dream of going to call on the daughter of a woman who has let herself be talked