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In Search of Lost Time, Volume VI_ Time Regained - Marcel Proust [116]

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them in order to look instead at the railway bordered with trees or the rising tide, they even force our nostrils to breathe the air of places which are in fact a great distance away, and our will to choose between the various projects which those distant places suggest to us, they force our whole self to believe that it is surrounded by these places or at least to waver doubtfully between them and the places where we now are, in a dazed uncertainty such as we feel sometimes when an indescribably beautiful vision presents itself to us at the moment of our falling asleep.

Fragments of existence withdrawn from Time: these then were perhaps what the being three times, four times brought back to life within me had just now tasted, but the contemplation, though it was of eternity, had been fugitive. And yet I was vaguely aware that the pleasure which this contemplation had, at rare intervals, given me in my life, was the only genuine and fruitful pleasure that I had known. The unreality of the others is indicated clearly enough—is it not?—either by their inability to satisfy us, as is the case with social pleasures, the only consequence of which is likely to be the discomfort provoked by the ingestion of unwholesome food, or with friendship, which is a simulacrum, since, for whatever moral reasons he may do it, the artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive), or else by the sadness which follows their satisfaction, a sadness which I had felt, for instance, on the day when I had been introduced to Albertine, at having taken pains (not even in fact very great pains) in order to achieve something—getting to know this girl—which seemed to me trivial simply because I had achieved it. And even a more profound pleasure, like the pleasure which I might have hoped to feel when I was in love with Albertine, was in fact only experienced inversely, through the anguish which I felt when she was not there, for when I was sure that she would soon be with me, as on the day when she had returned from the Trocadéro, I had seemed to experience no more than a vague dissatisfaction, whereas my exaltation and my joy grew steadily greater as I probed more and more deeply into the noise of the spoon on the plate or the taste of the tea which had brought into my bedroom in Paris the bedroom of my aunt Léonie and in its train all Combray and the two ways of our walks.

To this contemplation of the essence of things I had decided therefore that in future I must attach myself, so as somehow to immobilise it. But how, by what means, was I to do this? Naturally, at the moment when the stiffness of the napkin had restored Balbec to me and for an instant caressed my imagination not only with the sight of the sea as it had been that morning but with the smell of my room, the speed of the wind, the sensation of looking forward to lunch, of wondering which of the different walks I should take (all this being attached to the feel of the linen like those thousand wings of the angels which revolve a thousand times in a minute), or at the moment when the unevenness of the two paving-stones had extended in every direction and dimension the desiccated and insubstantial images which I normally had of Venice and St Mark’s and of all the sensations which I had felt there, reuniting the piazza to the cathedral, the landing-stage to the piazza, the canal to the landing-stage, and to all that the eyes see the world of desires which is seen only by the mind—naturally at those moments I had been tempted, if not, because of the time of the year, to go and walk once more through the watery streets of Venice which for me were above all associated with the spring,

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